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Crumar | DS-2

Description

The DS-2 is basically a monosynth with an added 44-voice polyphonic strings section. The DS-2 was one of the first synthesizers to use DCOs (digitally controlled osc.) making it stable in tune but maybe not as fat as VCO synthesizers. That isn't to say it can't sound fat...it can. Especially if you use the polyphonic string section and apply some slow LFO modulation to the pitch. This is a very big and good looking synth with a lot of knobs for instant hands-on control. And you don't need a hardcase, it's built into one. Just lift the cover and there it is (smart!).

This is possibly one of the most unreliable synths when found on the used market! Models almost always have failed components in either the monosynth or polysynth stages. Most frequently encountered are failures of one or both DCOs, or the entire polysynth stage in of itself. Purchase of a DS-2 can be a VERY risky proposition!

What's good about it then? Well it has two nice LFOs, one with S&H and staircase waveforms. You can use either or both LFOs for modulation of Osc 1, Osc 2, VCF and the VCA. Pulse-width can be set manually or modulated by either LFO. The VCF is killer, it has a nice Moog sound in it that fattens up the sound. The two ADSRs are very fast so there's no problem making bass and drum sounds with it. It has an external input for processing other sounds through its lovely filter too.

BrandCrumar
ModelDS-2
DeviceSynth
TypeKeys
Engine TypeAnalog
EngineDCO
Voices (max)1/44
Oscillators2
LFO2 LFOs; LFO 2 has Sample&hold and Staircase waveforms
Engine Detailed2 DCO + Strings section
Filter (VCF)4-pole LPF with Cutoff, Resonance, ADSR and ENV-amount
Envelope (VCA)ADSR
Keys44
Key typeKeys
VelocityNo
AftertouchNo
CV-gateGATE
Extra infoAudio in for running through filter
Produced:1987 - 1987
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

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