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Yamaha | TX7 |
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Description | The TX7 is essentially a non-rack-mountable desktop module form of Yamaha's DX7 FM synthesizer. Editing can not be done from the front panel, but must be accomplished externally via MIDI using either a DX7 keyboard, the PR-7 programmer or a computer. Software can be used to edit the parameters of the TX7. There are only 32 patches for storing any sounds as on the DX7. It's probably better to collect patches from the internet to expand your library of sounds. Aside from its limitations, the TX7 is an affordable way to get your hands on original DX7 sounds. |
| Brand | Yamaha |
| Model | TX7 |
| Device | Synth |
| Type | Desktop |
| Engine Type | Digital |
| Engine | FM |
| Voices (max) | 16 |
| Multitimbral | 1 |
| Oscillators | 6 |
| LFO | triangle / saw / square / sine / random |
| Engine Detailed | 6 FM operators and 32 algorithms |
| Envelope (VCA) | 6 Envelope generators 8 parameters each |
| Memory | 32 Patches |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Midi | I-O-T |
| Produced: | 1985 - 1985 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
