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Yamaha | TX16W


The ‘16’ in TX16W stands for 16-voices, which is nice, but unfortunately it does not apply to this late-eighties sampler's specs. It's only 12-bit (as opposed to 16-bit) and shipped with a slim 1.5 MB of RAM. Supposedly marking Yamaha's entry into professional rack-mount samplers, the TX16W seems to take its rack-design from Yamaha's REV-series effects processors. A narrow 2-line LCD display, numeric keypad and about a dozen other buttons makes for a lousy sample-editing experience - yet this was how it was done in 1987/88. With internal RAM expandable up to 6 MB's, floppy disk storage, digital filters, and 8-part multitimbral operation, the TX16W was good for its time but is certainly now, a dinosaur.

This 12-bit sampler has a variable 50 kHz sampling-rate without aliasing, eight monophonic outputs, polyphonic stereo out and an external audio input (Mic, Line) on the front-panel. The original TX16W's System OS had to be loaded from 720kb disks in non-DOS format, and frequently needed reloads from the System disk. Moreover this OS is one of the worst ever made. Alternative: Typhoon 2000, a freeware OS provides much easier handling, support for RS422 (you can connect it directly to the built-in MIDI interface of a Mac for SCSI-like communication), 17 factory filters and support for the AIFF audio format. Typhoon is a must have to stay healthy while working with this sampler. It is good for M1-type pianos, percussion sounds, voice samples and your basic 80's style sounds.

Engine TypeDigital
Voices (max)16
Sampler12-bit, 50kHz (mono), 33.3kHz (stereo), variable.
Filter (VCF)17 including resonant types, one per voice
FXFilter, Phaser, all possible thru Typhoon 2000 Freeware OS
Memory1.5 MB (expandable) for 16.3 seconds at 16.7kHz in mono. External 3.5" disks.
Key typeN/A
Produced:1987 - 1988
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.


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