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Yamaha | TG55


In the range of Yamaha’s late ‘80s - early ‘90s digital synths the TG (Tone Generator) line was the group of mainly rack-mountable instruments. Some of them were the module version of the SY-workstations (without keyboard and onboard sequencer).

The TG55 is basically a 16-bit sample playback based synth module – perhaps the first one from Yamaha employing this kind of sound generation, other than the old classic FM at DXs and TX modules - which appeared also in the same era like, e.g. the Roland U-220.
This synthesis method used in the TG55 is called AWM2. The name stands for Advanced Wave Memory 2nd generation – it’s essentially Yamaha’s name for the PCM playback. The first original version of AWM had a 12-bit resolution, only the second version became 16-bit.

In its 2MB sample ROM, amongst 74 waveforms there are 50 acoustic instruments, 16 drum sounds, 8 digital waveforms – all of them are sampled in 16-bit depth and at 32 or 48 kHz sample rate.

The TG55’s sample oscillators are called "elements" - each patch consists of 1, 2, or 4 of them. The maximum polyphony is 16 voices.
The factory sounds are those quite typical early nineties, but don’t judge it by only the presets. It has strengths like nice ambient pads, or new-age synths – they can sound crisp and clear. Considering its age, it hasn’t got the most realistic acoustic patches, but in case of deeper programming, this module is really capable of much more. It also has waveform and data expansion card slots for expandability.

What’s more, TG55 has 2 digital resonant filters (HP/LP, and LP - both with 12dB/oct), LFO with 3 possibilities (to amplitude, to pitch or to filter cutoff) , 3 Envelope Generators - 5 stages envelope, and 34 programmable digital effects (reverb 8-types, delay, stereo panning delay, gate and distortion) for shaping the sounds further.

It has a keyboard workstation brother called SY55 (that lacks the extra pair of individual outputs) released a year later. The TG55's successor, the TG500 had a much larger sample ROM and polyphony two years later. In the family of TG modules, somewhere between the rather tabletop vector-controllable AWM/FM TG33 module, and the flagship TG77 – which is a real monster with its AWM2/AFM capabilities – the TG55 (and later the TG500) is unique using pure AWM2 sound generation method.

Nowadays, TG55 may seems a little dated but it’s also a quite underrated 1U module that still can produce interesting sounds. Although it’s a bit difficult to edit with only the onboard buttons, it has extensive voice editing functions. Since TG55s are very solid, well-built constructions, (plenty of them are still working good after more than 25 years) – while they are relatively cheap these days, they can be useful extensions for a synth setup of experimenter musicians.

Engine TypeDigital
Voices (max)16
LFO1 Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Delay, Phase
Engine DetailedAWM2, 74 preset waveforms, 61 percussion samples
Filter (VCF)2 12dB Slope (2-pole), Band Pass, High Pass, Low Pass, Resonance
Envelope (VCA)4 AWM, 2 filter: Delay, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4
FX34 effects like Reverb, delay, early reflection, tone control and distortion
Memory64 preset and 64 user patches, 16 Performances
Key typeN/A
Produced:1989 - 1989
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.


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