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Yamaha | SU10

Description

The SU10 is a very compact and portable sampler and sequencer. Best suited for the on-the-go musician it ultimately is a note-pad for musical ideas. It has a maximum of 4 simultaneous samples polyphony, 11.64 to 44.1 sampling rates, 54 to 19 seconds of sampling time (respectively), stereo input/output (using one-eighth inch mini stereo plugs), 4 songs with up to 100 events in each and a maximum of 48 samples can be stored. The 12 key-pads are not only used for editing and programming, but also for triggering samples stored within any of the four banks (bank a, b, c or d).

For professional use these specs are just not good enough. Its overall sound quality is questionable. However it features some pretty cool tricks that may interest DJ's: a ribbon controller that can be used to filter the samples cutoff, alter pitch, reverse, scale, crossfade, hold and scratch samples. It features a VCF type filter with 3 resonant settings and a bandpass, highpass, or lowpass shape. It can even be used to filter an external sound source. Unfortunately the filter is 'sketchy' and prone to crackles, distortion and noise. Filtering external sounds have extremely low output too.

The SU10 won't replace your real sampler nor should it be considered a professional sampler but it does have its place. If you can handle the limited sampling specs and very poor filter then the SU10 can still provide you with hours of fun and entertainment, but that's about it.

BrandYamaha
ModelSU10
DeviceSampler
TypeDesktop
Engine TypeDigital
EngineSample
Voices (max)4
Sampler11.64KHz to 44.1KHz (19 to 54 seconds) mono
Filter (VCF)Digital Hi / low / band pass resonant filter
Memory48 Samples
Recording4 songs with up to 100 events
Keys12
Key typePads
VelocityN
AftertouchN
MidiI-O
Produced:1996 - 1996
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

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