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Yamaha | CS70m |
Description | The CS70m is a great big powerful polyphonic analog synthesizer which belongs to Yamaha's excellent line of CS series synthesizers. Fat sounds, cutting leads and bubbly basses, the CS70m has 6 voices of polyphony each supported by 2 oscillators for a total of 12 analog VCO's! It's got very flexible LFO, envelope and filter controls all of which sound really nice and smooth. The VCF (filter) has its own independent envelope control as well. Truly a lush sounding instrument that would please anyone looking for that J.M. Jarre or Tangerine Dream sound. Other features include a 4 track polyphonic sequencer, a 5 octave keyboard with aftertouch sensitivity and external magnetic data card memory storage. With only a slim 30 preset sounds that are mediocre, this is the kind of synthesizer that begs you to grab its knobs and start editing (that could possibly explain its big flashy knobs and buttons). All in all an excellent and large synthesizer that will make any synthesist happy! The next step up from this synth is Yamaha's CS-80 which is an eight voice monstrous beast quite similar to the CS70m. The CS70m is likely to be too large for anything more than studio use but if you can find one it is definitely worth a listen! |
Brand | Yamaha |
Model | CS70m |
Device | Synth |
Type | Keys |
Engine Type | Analog |
Engine | VCO |
Voices (max) | 6 |
Oscillators | 2 |
LFO | 2 LFO's (1 is programmable) |
Noise | Y |
Engine Detailed | 12 VCO's (2 per voice) |
Filter (VCF) | 12 VCF's (2 per voice, 12dB each) with envelope generator |
Envelope (VCA) | 12 VCA's (2 per voice) |
Memory | 30 Patches |
Recording | 4 track polyphonic sequencer |
Keys | 61 |
Key type | Keys |
Velocity | N |
Aftertouch | Channel |
Produced: | 1981 - 1984 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |