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Waldorf | Q Phoenix Edition |
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Description | The Waldorf Q is a professional virtual analog synthesizer well suited for demanding performance and studio work! The Q was a large and bright yellow beast but now they come in a sleek dark grey look. Through digital emulation the Q faithfully reproduces the sounds and programming characteristics of virtually any sophisticated analog synthesizer with state of the art control and precision. With 16 to 32 voices and 16 multitimbral parts, the Q is well adapted for reliable live use. Waldorf's excellent analog sound emulation is complemented by sophisticated yet familiar analog-type controls and parameters. There are 3 oscillators per voice, 3 LFOs with ramp, sine, square, etc. and 2 12/24dB Filters (Low pass, band pass, hi pass, notch, comb, ring mod and more). A powerful arpeggiator and sequencer are also on-board for creating complex accompaniment or arpeggios. There are 58 knobs to aid you in tweaking away at creating amazing sounds! All knobs and edit parameters are MIDI controllable. The Waldorf Q is topped off with 8 effects processors (2 per sound that include Chorus, Flanger, Phaser, Overdrive, AM, Delay, Reverb, etc.), 2 analog audio inputs, 6 outputs and 1 S/PDIF output (44.1kHz / 48kHz switchable) and vocoding capability. The Q is a professional-grade virtual analog synth that combines the raw power of analog synthesis with modern technology, stability and creativity. In addition to the Q Keyboard, there is also a Q Rack. And there is also a Waldorf Q+ synthesizer, wich is similar to the Q Keyboard but adds 16 analog filters and up to 100 voices polyphony. The Q and Q+ Phoenix Edition are the same but has a limited front face. |
| Brand | Waldorf |
| Model | Q Phoenix Edition |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | Wave |
| Voices (max) | 32 |
| Multitimbral | 16 |
| Oscillators | 3 |
| Engine Detailed | 3 per voice (sawtooth, triangle, sine, PWM, new oscillator algorithms, waves and a noise generator) |
| Filter (VCF) | 2 12dB/24dB Filters (Low pass, band pass, hi pass, notch, comb, ring mod and more; FM and distortion) |
| Envelope (VCA) | 4 envelopes (ADSR with loop and one shot function, bipolar) |
| Memory | 300 single programs, 100 multi programs |
| Sequencer | 100 user patterns; 32 steps per pattern, polyphonic |
| Arpeggiator | Many user patterns (accents, timing, swing, glide, chords and more) |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Midi | I-O-T |
| CV-gate | CV |
| Extra info | Just another Front. Only 500 made |
| Produced: | 2007 - 2007 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
