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Waldorf | Microwave XT

Description

The Microwave XT is a great big orange polyphonic rackmount synthesizer. While combining the power of the Wave and the compact design of Waldorf's Microwave II, the XT adds a bit of knob-laden heaven. At first glance the top section completely resembles the 2-space rackmount version of the Microwave II. And then there are three more rack-spaces full of knobs and lots of knobs means lots of control.

As far as enhancements, the XT model has 20-bit DSP functions but that's about it. Its true power and features lie in the 44 hands-on knobs which make editing in real-time quick, easy and perfect for performance and studio work. All of the knobs transmit MIDI information as well!

is and FM synthesis in which there are 64 waves that are mixed and combined into new sounds. The Microwave XT can easily emulate the sounds of the PPG wavetable synths as well as create squelchy acid-303 lines or boomy Moog bass. Also onboard is a nice arpeggiator, digital effects and more. The Microwave XT is definitely a powerful rackmount synth that can generate some highly unique and quality sounds.

BrandWaldorf
ModelMicrowave XT
DeviceSynth
TypeRack
Engine TypeDigital
EngineWave
Voices (max)10
Multitimbral8
Oscillators2
LFO2 LFO's, sine, tri, square, random, S&H
NoiseY
Engine Detailed2 oscillators per voice, 64 ROM wavetables, 32 RAM wavetables, 64 waves per wavetable; 1 Ring Mod; 1 Noise Source. 10 voices expandable to 30.
Filter (VCF)6/12/24 LP/HP, FM Filter, Sin (x)-LP, Dbl LP/HP, 24/12 BP, Band Stop, Waveshaper
Envelope (VCA)1 VCA, VCA ADSR, 1 Free Envelope
FXChorus, Flanger 1 & 2, Autowah BP, Autowah LP, Overdrive, Delay, Amp Mod
Memory256 sounds, 128 multi-patches, 64 external card
Arpeggiator16 steps, 128 patterns
Keys0
Key typeN/A
VelocityN/A
AftertouchN/A
MidiI-O-T
Produced:1998 - 1998
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.

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