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Symbolic Sound | Capybara 66 |
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Description | The Capybara-66 is the third incarnation of the hardware component of the Kyma System. Due to software optimizations and a doubling of the clock speed, this newer hardware provides more than twice the polyphony of the previous (Capybara-33) hardware. Additionally, the Capybara-66 comes with 3 megabytes of sample RAM per card standard. All Capybara-33's were upgradable, meaning that Kyma users could upgrade, rather than having to retire the old hardware. The Capybara-66 is an external rack-mountable processor that has a motherboard and eight expansion slots. Each expansion card provides an additional Motorola 56002 DSP processor running at 66 Mhz plus an additional 3 megabytes of sample RAM. The Capybara has 16-bit oversampled stereo D/A and A/D converters standard with an optional AES/EBU and S/PDIF digital I/O. Internal arithmetic is done at 24-bits per sample, so it can take advantage of external, 20-bit converters. Platforms: PowerPC or 680xx-based machines with PCI, PCMCIA, or NuBus 80386/80486/Pentium computers running Windows95 with PCI, PCMCIA, or ISA |
| Brand | Symbolic Sound |
| Model | Capybara 66 |
| Device | Synth |
| Type | Rack |
| Engine Type | Digital |
| Engine | Modular |
| LFO | Envelope, Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Key Sync |
| Noise | Y |
| Engine Detailed | Additive, Distortion, Formant, Frequency Modulation, Granular, Karplus–Strong, Resynthesis, Sampling, Subtractive, Vector synthesis, Wave Table. Additive, Pink Noise, Pulse, Saw Down, Saw Up, Sine, Square, Super Saw, Triangle, User Drawn, Wave Table, White Noise |
| Sampler | 16 bit, 11.025 kHz, 22.05 kHz, 32 kHz, 44.1 kHz, 48 kHz. Real time sampling and key-mapped multi samples supported. Optional sample RAM expansion up to 96 Mb on a fully expanded system. |
| Filter (VCF) | 6dB Slope, 12dB Slope (2-pole), 18dB Slope, 24dB Slope (4-pole), 36dB Slope , 48dB Slope (8-pole), All Pass, High Pass, Low Pass, Resonance, Serial, Parallel. Additional Filters: Analysis Filter, Averaging Lowpass, Graphic EQ, Harmonic Resonator, Presence Filter, RE-Resonator, Two-Formant Element. |
| Envelope (VCA) | Attack, Decay, Sustain, Release, User Drawn, Additional envelopes: AR, Chopper, Function Generator, Multi slope Function Generator, Scaled interpolating One Shot, Warped Time Index |
| FX | DelayWithFeedback, ReverbSection, Vocoder, IteratedWaveshaper, Waveshaper, MultiplyingWaveshaper, Compressor, Spectral modifiers. |
| Sequencer | Called Event Generators: Analog Sequencer module, SoundToEvent module. |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Audio | Stereo I-O. Optional AES/EBU and S/PDIF digital audio interface |
| Midi | I-O-T |
| Produced: | 1996 - 1998 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
