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Studio Electronics | Boomstar
|Back to the raw power and purity of non-programmable discrete analog, where STUDIO ELECTRONICS started in 1985. The snap and punch of hardware envelopes drive the BOOMSTAR's brilliant voltage controlled circuits with unparalleled sonic integrity and versatility. BOOMSTAR is the ultimate desktop analog synthesizer for those who remember and desire still, the electronic Analog sound that changed the world, and for seekers who have yet to discover that magic and delight... in their time.
Driven by rapid fire hardware envelope snap, and near Modular sound flexibility (at the flip of any of its 20 toggle switches), the STUDIO ELECTRONICS BOOMSTAR® desktop synth is a performer and sound designer's waking dream. The Boomstar foundation: two Oscillators—stackable waveforms with Sub OSC, two Envelopes—invertible, loopable, with 'drone' and 'master' mode, is accented expressively by hardware XMod and exponential glide, extensive modulation routing, and a flexible software LFO: jacked for heavy lifting and fine-tuned experimentation—even go "off synth" with the external input and color exotic oscillations.
The quick-turn shaft pots along the bottom for the hardware Ring Mod, Noise, Filter Feedback and VCO Levels make vital sonic change intimate, immediate, and indispensable; the adjacent Overdrive switch adds warmth and edge. Thirty one pots insure fluid, intuitive mastery over wide-ranging sweep and subtlety of tone: feather in the changes or whip them suddenly and rhythmically into shape.
Now Six Models Pumped: SE80—the legendary, creamy, multi-mode Yamaha® CS-80, 700—innovative MiniKORG®, 5089—classic Moog® 24dB ladder, 4075—powerfully resonant ARP® 2600, SEM—the original Oberheim® 12dB, 3003—the chirpy, acidic, bouncy Roland® TB-303.
S. E.'s patchable, discrete, through-hole, hand-matched transistor, American-made analog synthesizers are as rugged as they are flexible; inspiring instruments built to last a lifetime, and then some, no matter which brilliant, hand-crafted filter model you choose.
|LFO||1 Saw Up, Saw Down, Sine, Square, Triangle|
|Engine Detailed||2 VCO, Pulse, Pulse Variable, Saw Down, Sine, Square, Sub Oscillator, Triangle, White Noise|
|Filter (VCF)||1 12dB Slope (2-pole), 24dB Slope (4-pole), High Pass, Low Pass, Resonance|
|Envelope (VCA)||2 ADSR|
|Produced:||2014 - 2014|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|