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Studio Electronics | ATC-X

Description

The ATC-X is a truly modern Analog synthesizer, incorporating authentic discrete component circuitry with complete MIDI implementation and total programmability. Control of the parameters from the optical encoder is smooth and precise. Its creative and intuitive design incorporates unique features and functions, allowing the discerning musician complex tone manipulation and seemingly endless patch variations. 

The electronically produced sound of the ATC-X is vibrant, warm and "punchy"; possessing the highly pleasing qualities of inherent randomness in pitch and timbre, like those of a fine acoustic instrument.

You're soon to discover the world's only 4-way discrete multi-filtered analog synthesizer. Like never before, you now have the ability to create and explore all of the classic Analog synthesizer sounds in one powerfully expressive and versatile machine.
BrandStudio Electronics
ModelATC-X
DeviceSynth
TypeRack
Engine TypeAnalog
EngineVCO
Voices (max)1
Multitimbral1
Oscillators2
LFO2 Noise, Saw Up, Saw Down, Square, Triangle
NoiseY
Engine Detailed2 VCO, waveforms: triangle, sawtooth and variable width square
Filter (VCF)1 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, High Pass, Low Pass, Resonance, Serial, Parallel
Envelope (VCA)3 ADSRs: one for VCA, one for VCF and third to modulate other parameters
FXDistortion
Memory512 Patches
Keys0
Key typeN/A
VelocityN/A
AftertouchN/A
MidiI-O
CV-gateCV/Trigger out
Produced:2006 - 2006
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.

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