Description | |
| Brand | Roland |
| Model | XP-50 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | PCM |
| Voices (max) | 64 |
| Multitimbral | 16 |
| Oscillators | 4 |
| LFO | Up to 8 MIDI syncable LFOs |
| Engine Detailed | 32 bit custom RISC chips for Digital Acoustic simulation; 512 on-board waveforms (plus up to four 8MB SRJV80 series expansion boards) |
| Filter (VCF) | TVF (lowpass, bandpass, high pass, peak) with cutoff, resonance, key follow and velocity sensitivity |
| FX | 40 multi-effects, reverb, chorus |
| Memory | 640 Patches, 128 performances |
| Recording | MRC-PRO 16-track sequencer, 60.000 note capacity, 100 patterns, 1 song |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Midi | I-O-T |
|
Produced: | 1995 - 1995 |
| Legend: |
Obvious |
Y: Yes, N: No, N/A: Not Applicable |
| VCO |
Voltage Controlled Oscillator |
DCO |
Digital Controlled Oscillator |
| LFO |
Low Frequency Oscillator |
Sub |
Sub Oscillator |
| VCF |
Voltage Controlled Filter |
VCA |
Voltage Controlled Amplifier |
| Velocity |
As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. |
Aftertouch |
Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |
