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Roland | XP-10

Description

The XP-10 was an entry-level Workstation synthesizer. It's a digital synthesizer that uses sampled sounds and waveforms stored on ROM chips. Basic envelope and filter settings can be manipulated to tweak the sounds, but that's it. The sounds themselves are preset and not very tweakable. Though its filter is digital, it is resonant and sounds ok. There is also basic reverb and chorus effects. However, the LCD display is narrow and programming can become tedious, if not boring and the interface is often reported as being 'buggy'.

However, its sounds can be anything but boring at times! Standard GM-set and SR-JV80 type sounds include great acoustic instruments (pianos, strings, winds, percussion and brass) and a lot of nice synth-type sounds (303 lines, sub bass, noise, leads, pads). It is quite capable of creating dance music or symphonic performances.

As a workstation, the XP-10 provides at least a starting point. It has an arpeggiator with several preset patterns (but no user patterns). There are two programmable sliders for real-time control of some of the editable parameters like the filter cutoff. Another feature called "X-Dual" mode layers two sounds which can be panned and mixed independently to create a new sound. Today, the XP-10 makes an ok back-up synth for quality but basic sounds, but it still leaves much to be desired.

BrandRoland
ModelXP-10
DeviceSynth
TypeKeys
Engine TypeDigital
EnginePCM
Voices (max)28
Multitimbral16
LFOYes
Engine DetailedPCM
Filter (VCF)Resonant Digital Filter
FXResonant Digital Filter
Memory338 Preset, 256 User patches; 64 Preset, 64 User performances
Drums16 Preset, 20 User Drumkits
ArpeggiatorYes
Keys61
Key typeKeys
VelocityY
AftertouchChannel
MidiI-O-T, to Host
Produced:1994 - 1994
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

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