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Roland | TB-303
The Roland TB-303 Bass Line is a bass synthesizer with built-in sequencer manufactured by the Roland Corporation from 1982 to 1984 that had a defining role in the development of contemporary electronic dance music.
Truly a unique machine with a very identifiable sound! It has spun off several imitators as well: Novation Bass Station, ReBirth, Doepfer MS-404, MAM MB-33, Syntecno TeeBee, and more.
Get all the acid you can squeeze out of your TB-303 with the Devil Fish Mod, designed to enhance and extend the range of the 303's filters and sound. Drastic, subtle and flexible modifications retain the mild-mannered TB-303 sound capabilities, and create a completely new instrument. The Devil Fish modification was created and is available from Robin Whittle in Australia. More information is available at the TB-303 Devil Fish web site.
The Borg TB-303 upgrade / modification - similar in many ways to the Devil Fish but with advantages. This is a major upgrade available for the TB-303 from Analogue Solutions. This upgrade adds features that allow greater creativity and flexibility in creating new sounds and live performance.
|Engine Detailed||1 VCO : Sawtooth or Square waveforms. Tuning control pot.|
|Filter (VCF)||18dB/oct lowpass resonant filter with controls for cutoff, resonance, and envelope amount|
|Envelope (VCA)||Control pots for Decay time and Accent intensity|
|Sequencer||Patterns: 64; Songs: 7|
|CV-gate||CV/GATE, DIN Sync|
|Produced:||1982 - 1984|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|