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Roland | TB-303 |
Description | The Roland TB-303 Bass Line is a bass synthesizer with built-in sequencer manufactured by the Roland Corporation from 1982 to 1984 that had a defining role in the development of contemporary electronic dance music. Truly a unique machine with a very identifiable sound! It has spun off several imitators as well: Novation Bass Station, ReBirth, Doepfer MS-404, MAM MB-33, Syntecno TeeBee, and more. Get all the acid you can squeeze out of your TB-303 with the Devil Fish Mod, designed to enhance and extend the range of the 303's filters and sound. Drastic, subtle and flexible modifications retain the mild-mannered TB-303 sound capabilities, and create a completely new instrument. The Devil Fish modification was created and is available from Robin Whittle in Australia. More information is available at the TB-303 Devil Fish web site. The Borg TB-303 upgrade / modification - similar in many ways to the Devil Fish but with advantages. This is a major upgrade available for the TB-303 from Analogue Solutions. This upgrade adds features that allow greater creativity and flexibility in creating new sounds and live performance. |
| Brand | Roland |
| Model | TB-303 |
| Device | Synth |
| Type | Desktop |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 1 |
| Oscillators | 1 |
| Engine Detailed | 1 VCO : Sawtooth or Square waveforms. Tuning control pot. |
| Filter (VCF) | 18dB/oct lowpass resonant filter with controls for cutoff, resonance, and envelope amount |
| Envelope (VCA) | Control pots for Decay time and Accent intensity |
| Sequencer | Patterns: 64; Songs: 7 |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| CV-gate | CV/GATE, DIN Sync |
| Produced: | 1982 - 1984 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||






