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Roland | System 100m
The System 100m is Roland's contribution to professional analog modular synthesis. It was based on the more limited, semi-modular System 100, but is several steps of ahead of its predecessor. The System 100m offers over 20 modular components to pick and choose to design a custom modular set-up. The Main unit is the M-110 which has a single VCO oscillator, VCF, and VCA section. You can then build upon this system adding any number and configurations of the various other modules which include dual VCOs, ring modulators, dual VCFs, eq, dual VCAs, dual envelopes, LFOs, various effects, mixers, sequencers, and control interfaces including 3 different keyboard controllers.
Modules are assembled into racks. The System 100m has 3 rack sizes, the M-190 holds 3 modules, the M-191 and M-191J hold 5 modules. Each rack provides the necessary 8-pin DIN power connectors and internal CV/gate connections between the modules. You still need to do some external patching, however, to send your signal through the modules of your choice to create any sounds. As for sounds, the System is basically monophonic, unless you get several racks of them for lots and lots of money! Its sound is not as warm as the System 100 before it, but it offers much more capability.
Hans Zimmer's massive System 100m features 58 VCOs, 37 VCFs, 32 ENVs, 12 VC Phase shifters, 9 Sequencers, 1 Remote controlled 4-space rack-mount power supply (25' away.), and 24 Trunk lines go to his large Moog synth across the room. The unit can link the "Keyboard" inputs for all the modules, and with this feature, all VCO's can track one input with only one patch cord. The unit was built into 6 flight cases on casters with removable front and rear covers, then later encased in wood and built into his studio.
|Engine Detailed||1 or 2 oscillators per module: M-110 VCO single oscillator (with VCA and VCF sections). M-112 dual VCO, with 3 CV ins, 2 outs, and weak/strong sync. M-150 Ring Mod, Noise (pink and white), S&H (with lag), and LFO (5 waveforms with switchable range: x1, x1/10)|
|Filter (VCF)||M-110 VCF (with VCO and VCA). M-121 dual VCF, with low-pass and high-pass filters with 24 dB/oct slope. M-174 Parametric Equalizer, four-band, with 20Hz to 20kHz center frequencies.|
|Envelope (VCA)||M-110 VCA (with VCO and VCF). M-130 dual VCA, with a linear/exponential switch. M-140 dual Envelope (ADSR, invertable, and manual gate button) and LFO (5 waveforms with switchable range: x1, x1/10). M-141 dual Envelope, Gate Delay, and Invert/Adder|
|FX||M-170 Pitch/Voltage Converter, Envelope Follower, and Audio Amp. M-172 Phase Shifter, Audio Delay, LFO, Gate Delay|
|Sequencer||M-182 Analog Sequencer, 2 X 8 step, serial or parallel modes|
|Key type||M-180 Keyboard, 32-note (F-C) low note priority, with transpose switch and portamento knob. M-181 Keyboard, 49-note (C-C) same as M-180 but with added portamento switch and bender lever (with CV out). M-184 Keyboard, 49-note (C-C) 4-voice, with switchable mono/polyphonic, an arpeggiator, and polyphonic portamento.|
|CV-gate||CV / Gate: M-160 Computer Interface. M-165 Double Portamento Controller, with CV in. M-173 Quadruple Signal Gate and six 4-way Multiples.|
|Extra info||Misc. - M-131 Mixer, 4 X 2 X 1, with panning and a tuning oscillator (220/440/880Hz). M-132 dual Mixer and Voltage Processor. M-190 three-module rack with connection sockets at the base. M-190B base unit that elevates the 190 above a keyboard. M-191 five-module rack. M-191J five-module rack with multiple connectors on its base.|
|Produced:||1974 - 1984|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|