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Roland | SP-404SX |
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Description | Roland’s acclaimed SP-404 performance sampler takes an exciting leap forward with the new SP-404SX. In addition to the fun, fast, hands-on features of the original, the new model offers enhanced sound quality with pure 16-bit linear sampling, improved DSP effects, smooth FX switching, a more versatile pattern sequencer (with a new shuffle feature), and easier data management with SD-card compatibility. It’s a creatively stimulating, powerful tool for DJs, musicians, producers, and live-sound engineers who trigger jingles. Sample anytime, anywhere with the built-in mic and battery power 29 DSP effects, including filter, delay, unique voice effects, subsonic, and looper 3 control knobs, 12 trigger pads, and Sub Pad for rapid repeat triggering Seamless effects switching for smooth, perfect performance Pattern sequencer with quantize mode and new shuffle feels 1GB SD card included; expand sample storage up to 32GB with SDHC Import audio files from computer, assign samples to pads with bundled software (Mac/PC) Instant Sampling Sample anywhere, anytime using the SP-404SX’s built-in microphone. And since the SP-404SX can run on AC or battery power (six AA batteries), it’s easy to record wherever and whenever inspiration strikes. Just power-up, point, and record. Line and mic inputs are also available for recording direct or with an external microphone. The SP-404SX’s sampling format is uncompressed wave for high-quality audio capture. Hands-On Performance The SP-404SX is made to be played — it’s packed with interactive controls for jamming along with loops and patterns. Put your fingers on the three non-slip control knobs, 12 trigger pads, and Sub Pad for rapid repeat triggering in real time. On dark stages or DJ booths, the SP-404SX is a performers dream with its illuminated rubber pads and bright LED screen. Extreme Effects Create a signature sound using the SP-404SX’s 29 DSP effects, which switch seamlessly during live performance. Essential onboard effects include spacious reverbs and choruses, plus filters and delays. There are also unique, esoteric effects built in, including a voice transformer and looper. With the DJFX Looper, you can create short loops (such as machine-gun-like “da-da-da-da-da” sounds) and control reverse-playback with the knob. You can also create scratch effects like a turntable. Connect the SP-404SX to a DJ mixer and use it as an effect processor. Seventeen of the effects have a “limiter” mode, which keeps the effects from overloading. This is great for live DJ performance when you don’t want to lose control of the effects in the heat of the moment. Trackbuilder In addition to the endless supply of loops you can pack into the SP-404SX, you can also create your own tracks in real time with the Pattern Sequencer, complete with quantize mode, which includes shuffle feels. Creating patterns is done in real time. You can loop two measures (maximum 99 measures), for example, then play and record only the bass drum and the snare. Next, add the hi-hat over the top, and keep adding more instruments while the SP-404SX loops. You can store 120 patterns (12 patterns x 10 banks). When you play a pattern with the Pattern Sequencer, the LEDs surrounding the display blink according to the tempo, which is handy during live performance. SD Card Memory Start sampling right away with the included 1GB SD card. You can easily expand the sampling time using up to 32GB SDHC. Import audio files from your computer using the included software (Mac/PC) and assign them to the SP-404SX’s pads. WAV and AIFF files are accepted. The software is fast and easy to use, as it displays the SP-404SX’s pads onscreen. You can even use it to convert SP-404 format files to the SP-404SX. |
| Brand | Roland |
| Model | SP-404SX |
| Device | Synth |
| Type | Desktop |
| Engine Type | Digital |
| Engine | Sample |
| Voices (max) | 12 |
| Multitimbral | 1 |
| Sampler | 44.1 kHz, 16 bit |
| FX | 29 types |
| Memory | 120 |
| Recording | 120 patterns (12 patterns x 10 banks), each 1–99 measures long. 16,000 notes of recording. |
| Keys | 12 |
| Key type | Pads |
| Velocity | N |
| Aftertouch | N |
| Audio | Stereo I-O |
| Midi | I |
| Produced: | 2011 - 2011 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
