|The SH-3a is a funky little analog synth and was among Roland's first programmable additive synths. Like the SH-1 and SH-09, the SH-3a has a single oscillator for a simple monophonic sound. Not nearly as good as the two or three VCO's found in other monophonic synths. It could perform additive synthesis by mixing in up to five different waveforms. All of its editing controls which are just shy of the SH-5's features have been crammed together all the way to the left of the keyboard. This was an attempt to accommodate organ and piano players who would typically put their synths on top of their piano. This makes space for sheet music, there's even a stand for sheet music. As for its construction, the wood casing is covered with fake leather, and protected by metal corners.
|LFO||LFO1 has sawtooth waveform, LFO2 sine or square and delay slider, Sample-and-Hold with level and sample time sliders. LFO's can be assigned to VCF, VCA, VCO.|
|Engine Detailed||1 VCO plus Pink/White Noise generator and Portamento|
|Filter (VCF)||Resonant self-oscillating lowpass filter w/ frequency and resonance controls|
|Envelope (VCA)||VCA is basic ADSR type|
Produced:||1974 - 1976
||Y: Yes, N: No, N/A: Not Applicable
||Voltage Controlled Oscillator
||Digital Controlled Oscillator
||Low Frequency Oscillator
||Voltage Controlled Filter
||Voltage Controlled Amplifier
||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.
||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.