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Roland | SH-1000
The SH-1000, introduced in 1973, was the first instrument produced by Roland, and probably one of the first compact affordable keyboard synthesizers in all of Japan. It was designed to complement a home organ. Above its keyboard is a wooden sheet music stand. Organ-style colored preset selector tabs are located below the keyboard. All the extra parameter controls are located to the left of the keyboard.
The SH-1000 is a monophonic analog synth with a single oscillator feeding a lowpass filter, an ADSR envelope, and two LFOs. It features 10 Preset sounds, but they are pretty weak. Fortunately you can create your own sounds for some really great mono-synth bass, lead, percussion and FX sounds. Basic square, ramp and pulse-width waveforms are available from the oscillator and the LFOs have sine, square and sample+hold. It has a terrific ‘Growl’ and ‘Wow’ effect for a pretty scary analog sound. It also features white noise, pink noise, portamento, octave transposition and a Random Note Generator. Although there is no user memory, unique sounds can still be quickly recreated or discovered thanks to its simple interface.
It’s a dinosaur! But it’s also a classic piece of Roland history. A little later in 1973 the SH-2000 was released with more Preset sounds (up to 30) but far less flexibility, controls and features. This may have been because the SH-1000 was a little confusing to its target demographic at the time. But today’s synthesists will love the unique sound and nostalgia of Japan’s first compact synthesizer!
|LFO||2 LFOs (sine, square, sample+hold)|
|Engine Detailed||1 VCO (square, ramp and pulse-width)|
|Filter (VCF)||1 VCF w/ frequency and cutoff sliders (lowpass)|
|Produced:||1973 - 1981|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|