Description | The Roland RS-50 Synthesizer is designed so musicians can forget about MIDI and focus on playing. This easy-to-use keyboard sports an all-new collection of CD-quality sounds, cool performance features and simple Direct Access buttons for selecting Patches—all at an entry-level price. |
| Brand | Roland |
| Model | RS-50 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | PCM |
| Voices (max) | 64 |
| Multitimbral | 16 |
| LFO | Sample & Hold, Saw Up, Saw Down, Square, Triangle, Clocked, Delay, Freerun, Key Sync |
| Engine Detailed | 2 OSC, PCM |
| Filter (VCF) | 12dB Slope (2-pole), 24dB Slope (4-pole), High Pass, Low Pass, Resonance |
| Envelope (VCA) | ADSR |
| FX | 47 types Reverb:8 types Chorus:8 types |
| Memory | 512 ROM, 128 RAM |
| Sequencer | Phrase sequencer , 473 patterns |
| Arpeggiator | Templates 342, User Templates 8, Styles (Variations) 473 |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Midi | I-O-T |
|
Produced: | 2003 - 2003 |
| Legend: |
Obvious |
Y: Yes, N: No, N/A: Not Applicable |
| VCO |
Voltage Controlled Oscillator |
DCO |
Digital Controlled Oscillator |
| LFO |
Low Frequency Oscillator |
Sub |
Sub Oscillator |
| VCF |
Voltage Controlled Filter |
VCA |
Voltage Controlled Amplifier |
| Velocity |
As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. |
Aftertouch |
Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |
