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Roland | Promars |
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Description | The ProMars Compuphonic (MRS-2) was unique largely in part due to its introduction of microprocessor control, hence the term, "Compuphonic." It used an Intel 8048 processor to control the all-analog VCOs, VCAs, and VCFs. This also allowed it to store patches, making it one of the early few analog synthesizers that had patch memory. The ProMars CompuPhonic has 10 preset sounds and 10 user programmable patches. The preset sounds include Bass, String, Clavi, Piano, Voice, Trombone, Sax, Trumpet, Synth I and Synth II. A very standard and well laid out set of knobs, sliders and edit controls give you the power to create some really cool sounds. Designed as a partner to the polyphonic Jupiter-4, the ProMars is often considered a monophonic version of the Jupiter 4. However, whereas the Jupiter 4 had only one oscillator per voice, the ProMars features two oscillators (that can be de-tuned). Also found onboard are a nice VCF (filter) with its own ADSR, a typical VCA envelope section, a nice LFO and a pitch/mod wheel that can effect the LFO, VCF or VCA. It even has a noise generator. Nice wood end caps add to its vintage appeal as well. |
| Brand | Roland |
| Model | Promars |
| Device | Synth |
| Type | Keys |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 1 |
| Oscillators | 2 |
| LFO | 1 LFO (sine, square, ramp up and ramp down) |
| Noise | Y |
| Engine Detailed | 2 VCOs |
| Filter (VCF) | HP filter, LP rez filter with ADSR which can be inverted |
| Envelope (VCA) | ADSR |
| Memory | 10 presets, 10 user patches, 8 performances, 1 user performance |
| Keys | 37 |
| Key type | Keys |
| Velocity | N |
| Aftertouch | N |
| Midi | CV/Gate |
| Produced: | 1979 - 1982 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
