Filter on ALL, SYNTH, DRUM, SAMPLER or MISC |
Total list currently 2405 items in 330 Brands |
Roland | MKS-50 |
Description | The MKS-50 is a rack-mount version of the Alpha Juno. It has the same synth engine and architecture, with some added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. The optional and highly recommended PG-300 will give you traditional slider type control of all editable tone parameters which include DCO (digitally controlled oscillators) LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF (filter) with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. Its sound is not quite as warm as the previous Juno's but it's still a nice addition to any techno synth rig. Other features include better MIDI implementation than previous Roland synths, a nice LCD display, an LFO capable of a very slow rate for some cool sweeping effects, and a great bass sound (especially nice for acid basslines) and noise effects! |
Brand | Roland |
Model | MKS-50 |
Device | Synth |
Type | Rack |
Engine Type | Analog |
Engine | DCO |
Voices (max) | 6 |
Multitimbral | 1 |
Oscillators | 1 |
Sub | 1 |
Noise | Y |
Engine Detailed | 1 DCO per voice: Pulse, Sawtooth. noise waveforms. 1 sub-oscillator. |
Filter (VCF) | 24db analog lowpass filter |
Envelope (VCA) | ADSR Envelopes for filter and amp |
FX | portamento, 16 chord memories, transpose, chorus |
Memory | 64 User, 64 preset, backup to cassette |
Keys | 0 |
Key type | N/A |
Velocity | N/A |
Aftertouch | N/A |
Midi | I-O |
Extra info | Programmable via PG-300 |
Produced: | 1987 - 1987 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |