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Roland | Jupiter-50 |
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Description | By combining the supreme expression of the JUPITER-80 with the travel friendliness of the JUNO series, the new JUPITER-50 brings SuperNATURAL sound and pro performance to every stage and studio. SuperNATURAL Power The JUPITER-50 houses over 1500 SuperNATURAL synthesizer tones found in the flagship JUPITER-80, plus all of its SuperNATURAL acoustic sounds (with Behavior Modeling) and many of its Live Sets. In fact, you can conveniently import the JUPITER-80’s Live Sets into the JUPITER-50 via USB flash memory. To achieve the same supreme sound quality as the JUPITER-80, the JUPITER-50 employs the identical analog audio components as its big brother, including the high-resolution D/A converter. The JUPITER-50 is packed with over 1,500 SuperNATURAL synthesizer tones, plus over 70 SuperNATURAL acoustic instruments, each with its own dedicated sound engine. Choose, stack and edit any combination of four tones to create custom Live Sets. Complex sounds don’t have to be complicated to program. The JUPITER-50 simplifies the sound-design process with its color-coded front panel, fast-access buttons and sliders, and Registration/Live Set architecture (128 Registrations, 2,560 Live Sets) logically categorized and instantly available. Tipping the scales at just 11 kg (24 lbs. 5 oz.), the JUPITER-50 is one of the lightest professional instruments in its class, while still offering a top-quality 76-note weighted keyboard. With its powerhouse features, sounds, and travel-friendly design, the JUPITER-50 is a dream for gigging musicians on the go. The JUPITER-50’s built-in audio recorder/player lets you capture musical sketches and full performances instantly to USB memory. By pre-loading a USB stick with WAV, AIFF, and/or MP3 files, you can use them as live backing tracks onstage and control them from the JUPITER-50. You can even simultaneously record your performances on the keyboard along with audio file playback from USB. The JUPITER-50 boasts an advanced effects engine that takes your sounds into another dimension. There are five types of pro-grade reverb algorithms onboard, plus dozens of other special effects (MFX). And we’re only scratching the surface, as many other expressive performance tools are built into this powerful synth. You can select from five MFX structures that let you place up to four effects in parallel and/or serial paths; using these structures, you can take full advantage of the JUPITER-50’s powerful collection of effects to create intense electro-synth sounds, intricate ambient synth textures, and beyond. |
| Brand | Roland |
| Model | Jupiter-50 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | VA, PM |
| Voices (max) | 128 |
| Multitimbral | 3 |
| Oscillators | 4 |
| LFO | Y |
| Engine Detailed | VA, PM and ROM samples. |
| Envelope (VCA) | ADSR |
| FX | Multi-Effects (MFX): 4 units (parallel connection only), 76 types Reverb: 1 unit, 5 types *Multi-Effects can be used only with a Live Set. |
| Memory | 1500+ Patches ROM. 2560 live sets, 128 registrations. |
| Arpeggiator | 128 Preset, 16 user |
| Keys | 76 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Audio | 2 stereo out, SPDIF, 1 in |
| Midi | I-O-T, USB |
| Produced: | 2011 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
