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Roland | Juno-6

Description



The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage.

The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status!

Though it only has one DCO per voice, it is said to have a warm and full sound. The DCO is switchable between any or all of the following waveforms: Pulse (with pulse-width modulation from either the LFO or the ADSR), sawtooth, and a sub-oscillator (square wave). White noise could also be mixed in with the oscillators. Each voice has its own VCF with a continuously variable control for keyboard follow, and an input on the back panel for voltage control. There is also a separate high-pass filter. The LFO features controls for rate and delay, as well as a switch that toggles between two modes, auto (modulation starts when set delay time has passed) and manual (modulation starts when the LFO trigger button, next to the mod wheels on the performance panel, is pressed). Only one envelope generator (ADSR) is available for both the DCOs and the VCOs. The Juno-6 featured an arpeggiator with controls for mode, range, and rate with a clock input on the back panel, and a chorus with two buttons, each button adding more chorus. In addition to arpeggiator and filter control inputs, the back panel also had both mono and stereo outputs, a headphone jack, and a sustain/hold pedal input.
BrandRoland
ModelJuno-6
DeviceSynth
TypeKeys
Engine TypeAnalog
EngineDCO
Voices (max)6
Multitimbral1
Oscillators1
Sub1
LFO1 rate and delay
NoiseY
Engine DetailedDCO: pulse, saw, and square
Filter (VCF)non-resonant high pass and resonant low pass (24 dB/oct)
Envelope (VCA)level, ADSR and gate
FXChorus (2 types)
ControllersFilter Control In, Ext Clock In
Keys61
Key typeKeys
VelocityN
AftertouchN
Produced:1982 - 1982
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.

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