Description  | Ever wanted to thicken up your guitar sound with a warm synth pad? Or how about a screaming lead sound that puts you in front? The GR-20 Guitar Synthesizer makes playing high-quality synthesizer and instrument sounds from your guitar as simple as 1-2-3. First, attach the included GK-3 Divided Pickup to your steel-stringed electric (no drilling necessary). Second, select the type of sound you want using the Bank knob. Third, choose a sound variation using the Number/Value dial and start playing. With the GR-20, it’s easy to tap into the power of guitar synthesis. 
 
The GR-20 now offers a new GK-3 and GK-3B Divided Pickup for guitar and bass players. The newly designed GK3/GK-3B has a slimmer, more ergonomic design for virtually any guitar or bass guitar. The GR-20 offers two modes. Guitar Mode and Bass Mode to accommodate the different ranges and allow for faster tracking. The GK-3B can also work with 6 string basses as well. | 
        
	
| Brand | Roland | 
| Model | GR-20 | 
| Device | Synth | 
| Type | Floor-unit | 
| Engine Type | Digital | 
| Engine | PCM | 
| Voices (max) | 48 | 
| Oscillators | 2 | 
| Engine Detailed | 2 OSC PCM based | 
| Envelope (VCA) | Attack, Decay, Sustain, Hold, Release | 
| FX | Multi -FX - chorus, delay/reverb | 
| Memory | User: 99 Preset: 469 | 
| Keys | 0 | 
| Key type | N/A | 
| Velocity | N/A | 
| Aftertouch | N/A | 
| Extra info | GK-3 Divided Pickup to connect the guitar. GK-3B Divided Pickup to connect the bass guitar. | 
  		
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				Produced: | 2004 - 2004              | 
        
	
    
  		
    		| Legend: | 
            Obvious | 
            Y: Yes, N: No, N/A: Not Applicable | 
        
  		
    		| VCO | 
       		Voltage Controlled Oscillator | 
    		DCO | 
    		Digital Controlled Oscillator | 
        
  		
    		| LFO | 
       		Low Frequency Oscillator | 
    		Sub | 
    		Sub Oscillator | 
        
  		
    		| VCF | 
       		Voltage Controlled Filter | 
    		VCA | 
    		Voltage Controlled Amplifier | 
        
  		
    		| Velocity | 
       		As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | 
    		Aftertouch | 
    		Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. | 
        
  		
    		| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |