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Roland | D2 |
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Description | Roland's D2 Groovebox is a compact, performance-oriented Groovebox (sequencer/sound module)--sort of a smaller MC-505--designed entirely around Roland's D-Field Controller technology. This touch-sensitive pad makes it easy to program and modify patterns, sounds, effects and more simply by touching the surface. It has all of the 505's sounds and a similar sequencer with 150 all-new patterns including the latest 2-Step and R&B styles. The D-Field controller at the heart of the D2 (also featured on the V-Synth) offers three distinct modes: SOUND makes playing patterns and sound effects easy by touching the D-Field; XY provides simultaneous control over two parameters (e.g. filter cutoff + resonance); SPIN creates turntable-style effects by tracing the pad in a circular motion. The D2 has more than enough sounds inside, with 600 Preset patches and 30 Preset drum kits from the MC-505. These dance-oriented sounds include ultra-fat bass and lead synths, screaming TB-303's, dance piano and strings, plus 30 floor-pounding drum kits. Phrase/Groove loops are also plentiful with 150 patterns plus 240 RPS (Realtime Phrase Sequence) patterns. There is a new Step Recording method using the D-Field and 32 LEDs as well. Separate Reverb, Delay and Multi-FX sections with Groove-oriented algorithms add space and effects to your sounds & grooves. And with the D2's Megamix function, it's easy to remix patterns into your own creations using the D-Field or Value dial. The D2 is an awesome concept in terms of hands-on, real-time performance control. However the hidden menus and overall navigation can cause some headaches. If you want to edit your own sounds, you may want to connect a MIDI Controller to tweak all the sounds you want and save into one of the 256 users patches. The D2 is definitely designed for the electronica, dance and hip-hop musician on a budget. It is not as complete a Groovestation package as the MC-505 or MC-909, but its D-Field controller is very novel and fun to use. Because the D2 is fairly cheap, it does make a great toy to add to your arsenal if manipulating beats and grooves in real-time and at the touch of finger is what you're in to. |
| Brand | Roland |
| Model | D2 |
| Device | Synth |
| Type | Desktop |
| Engine Type | Digital |
| Engine | Sample |
| Voices (max) | 64 |
| Multitimbral | 8 |
| Engine Detailed | Sample-Driven |
| FX | Reverb: 6 Delay: 2 Multi-Effects (MFX): 25 |
| Memory | Sounds: 600 presets, 256 user. Rhythm Sets: 30 presets, 20 users |
| Sequencer | 150 patterns |
| Arpeggiator | 43 presets, 10 user |
| Controllers | 8 tracks, 96 ppq resolution, 40,000 note capacity, tempo: 20-240 |
| Keys | 8 |
| Key type | Pads |
| Velocity | N |
| Aftertouch | N |
| Midi | I-O |
| Produced: | 2001 - 2001 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
