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Roland | D-10 |
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Description | Second generation D-50 style synthesis. The D-10 is a Digital Linear Arithmetic Synthesizer and the D-110 is its upgraded rackmount version. Capable of decent acoustic sounds and great new synth-type sounds the D-10/110 is a great and cheaper alternative to the popular D-50. It has a confusing synthesis / editing method composed of tones, partials and timbres. Basically it all boils down to tricky programming which, if you know what your doing, can have interesting and unique results. On-board drum sounds, reverb effects and internal / external memory storage are also a plus. The D-110 rackmount version adds 6 individual outputs, and the follow-up D-20 keyboard version adds an 8-track sequencer. |
| Brand | Roland |
| Model | D-10 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | PCM, LA |
| Voices (max) | 32 |
| Multitimbral | 9 |
| Oscillators | 4 |
| Engine Detailed | Digital LAS (Linear Arithmetic Synthesis) & ROM Samples |
| FX | 8 Effects |
| Memory | 128 internal & 128 external patches, 64 performances. Drums: 1 kit, 63 sounds |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | N |
| Midi | I-O-T |
| Produced: | 1988 - 1988 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
