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Oberheim | OB-12
Move out of the way everyone because the Big-Boys are back in town! Oberheim is back with their first analog-emulation professional synthesizer. This blue beauty is supposed to recreate and emulate the classic sounds and tone of the original Oberheim analog filters. The OB-12 is a 12 voice synth with 4-part physical modeling synthesis. Loads of real-time knobs (22), sliders (24), and buttons (33) with a traditional layout give you fast hands-on access and control of most parameters. Extra hands-on goodies include a ribbon controller, pitch bend and modulation wheel.
Aside from great analog sounds, the OB-12 has an amazing set of hi-tech features! The OB-12 features a high quality LCD display that actually draws out all of the parameters you are changing. There are on board 5-band graphic & parametric EQ, ADSR's with delay time and double decay. An addictive Motion Recorder and manual or auto oscillator morphing for animated sounds or effects. Phrase Recorders and Arpeggiators with Independent tempo controls and 5 dedicated buttons are on-board with plenty of features and are MIDI syncable. There is also an extensive effects section that give you reverbs, delays, chorus and lots of overdrive algorithms. You'll also find digital SPDIF outputs, analog outputs, and MIDI in/out and thru.
The Oberheim OB-12 is a Virtual Analog synthesizer, designed and realised by the Italian musical instrument manufacturer Viscount, in production between 2000 and 2005. The synth used Oberheim brand name under license from Gibson, which bought Oberheim rights after the original company went out of business in 1987. The OB-12 was the second and last Oberheim synth in whose creation had not been involved original Oberheim company founder Tom Oberheim, the first one being the Oberheim OB-Mx.
|LFO||2 LFO's Sawtooth, Triangle, Square, S&H noise|
|Engine Detailed||2 per voice w/ noise & ring modulator (Sawtooth, Triangle & Square w/ WaveMix and FM)|
|Filter (VCF)||2 multimode filters with Lowpass, Hipass, Bandpass, and Flat with serial/parallel configurations and up to 24 dB/octave slope.|
|FX||Overdrive, Chorus, Delay, Reverb|
|Memory||256 user programs, 256 user timbres|
|Extra info||Viscount produced it|
|Produced:||2000 - 2000|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|