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Novation | Supernova II |
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Description | An excellent polyphonic super synth based on the classic Bass Station. Let's start with 16 voices of polyphony (20 with the new OS), add three VCO's using sound modeling to re-create those classic analog sounds with digital clarity and reliability. Amazingly this synth has seven effects per voice! That adds up to 56 effects all programmable and simultaneously available on all voices at all times!!! A macho filter section with hi, low, band pass filtering at 12, 18, 24 dB/oct ranges, resonant and self oscillating, with overdrive and key tracking. There are two extremely flexible LFO sections, two ring modulators, eight audio outputs, complete MIDI parameter control and it is cased in a cool blue 3-space rack unit. Overall its sounds are awesome! It cleanly and nicely emulates and even transcends many classic synths like the Minimoog, Jupiter 8, Juno 106, and 2600! The SuperNova II which greatly increases the polyphony, sonic possibilities and offers many more new knobs and functions. Added features include new FM synthesis, ring-mod algorithms, two analog inputs and a 42-band vocoder effect. These are available in 24-, 36- or 48-voice models. It comes in a keyboard version which combines elegance, beauty, hands on control and a great 61 note velocity and aftertouch sensitive keyboard and a rack version. |
| Brand | Novation |
| Model | Supernova II |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | VA |
| Voices (max) | 24/36/48 |
| Multitimbral | 8 |
| Oscillators | 3 |
| LFO | 2 LFOs: saw, tri square sample/hold |
| Noise | Y |
| Engine Detailed | 3 osc per voice (saw and variable pulse width) plus noise. 8 different Fm / Ring Mod Algorithms |
| Filter (VCF) | Resonant Low-pass, Hi-pass, band-pass; 12, 18 and 24 dB/Oct slopes and overdrive |
| Envelope (VCA) | 1 ADSR for the amp, 2 DADSRs |
| FX | Distortion, Comb Filter, EQ, Reverb, Chorus/Flanger/Phaser/Ensemble, Delay and Panning effects for each Program, 42 band vocoder with sibilance modes and spectrum analyzer |
| Memory | 1024 programs, 512 performances |
| Arpeggiator | 384 monophonic, polyphonic and user patterns |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Audio | 2 balanced inputs routable to filter, effects, vocoder or all. 8 assignable polyphonic outputs with high quality DACs for each output |
| Midi | I-O-T |
| Extra info | 24 voices (expandable to 36[PRO] and 48[PRO X]), ADAT / SPDIF Digital I/O card can be fitted to all models. |
| Produced: | 2000 - 2000 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
