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Moog | Micromoog
It's a tiny Moog. But don't underestimate it. Sure, it's just a single-oscillator mono-synth, designed as a budget performance Moog. But it's an inexpensive alternative to the Minimoog. In fact, it is often used as just a stand-alone filter processor since it has a filter that is virtually identical to the one found in the Minimoog, and it accepts external sounds for processing through itself (all at a fraction of the price for a Mini)! It also employs a ribbon controller (which was a cool new feature) for pitch bending. Notice that there are still plenty of knobs to give you access to the shape of your sounds! Unfortunately the construction feels kind of cheap. It has an early form of something like MIDI called Open System that allowed Moog synthesizers to connect and play together. It features 32 keys with audio processing through it's filter and VCA.
|24 dB/oct lowpass (w/ ring modulation)
|1 VCA w/ attack, decay, sustain, release
|Sample & Hold
|Moog 'Open System'
|1975 - 1975
|Y: Yes, N: No, N/A: Not Applicable
|Voltage Controlled Oscillator
|Digital Controlled Oscillator
|Low Frequency Oscillator
|Voltage Controlled Filter
|Voltage Controlled Amplifier
|As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.
|Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.