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Moog muSonics | Sonic V |
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Description | The predicessor to the Sonic Six, the V (Five) was produced in very small numbers. Based on some of the early technology used later in the Minimoog, The Sonic V is said to have some different features such as a 24db diode filter, expanded modulation routing, The Sonic V is a rare predecessor model to the Sonic Six, designed during Musonics' ownership of Moog. In regards to the synth architecture, the Sonic V remains very similar to the Sonic VI, but has a diode filter rather than the Moog ladder filter. It has two audio VCOs with a 3 octave range, selectable waveforms, and manual pulse width contrl over the Square wave. The LFO is really made up of 2 LFOs mixed together with selectable waveforms and individual rate control for each, as well as a Master rate control for both, crossfading mixer, and a unique Transient setting for routing the Envelope to modulate the Rate. The modulation section can also be used to trigger the Envelope. Other features include Ring Modulation, White Noise source, AD & ADS envelope generator, and built in speaker. The Sonic V is a very unique design from Moog's history and especially excels at analog effect sounds. |
| Brand | Moog muSonics |
| Model | Sonic V |
| Device | Synth |
| Type | Keys |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 2 |
| Oscillators | 2 |
| LFO | 2 multimode LFO's with variable rate (sawtooth, ramp, triangle and square) |
| Engine Detailed | 2 VCO's with sawtooth, triangle, pulse waveforms (variable pulse width on Osc B only) |
| Filter (VCF) | 1 24dB/oct low pass filter |
| Envelope (VCA) | Attack / Decay / Sustain or Release |
| Keys | 49 |
| Key type | Keys |
| Velocity | No |
| Aftertouch | No |
| CV-gate | CV/GATE |
| Produced: | 1972 - 1979 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
