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Maplin | 5600S |
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Description | An Australian designer, Trevor G Marshall, created a kit (half-analog, half-digital) called the ETI 4600. The sounds were published in October 1973 in the Australian magazine "Electronics Today International". The plans were bought by the English company Maplin Electronics, which marketed Maplin 5600 what was available in a wooden frame with a keyboard. The sound of the instrument does unique and really fat, and the semi modular architecture give you endless possibilities of your creativity. Features - Semi modular design - 30x30 pinmatrix section. - 4 oscillator module with 6 waveform+sync - 1 noise generator module adjustable from Pink to White noise - 1 LFO+S&H module - 5 Mixer module - 1 Envelope generator module - 2 Transient generator module - 2 Switchable LP-HP Filter module - 2 Switchable Amp+Ringmodulator module - 1 Phase module - 1 Reverb/Phase module - 2 External input module - 1 Foot pedal module - 1 Foot switch module - 1 Echo module - 1 Stereo Output module - 1 Joystick controller module - Full size 48 key monophonic keyboard (digital controlled) - 19 pin for pin matrix board |
| Brand | Maplin |
| Model | 5600S |
| Device | Synth |
| Type | Keys |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 1 |
| Multitimbral | 1 |
| Oscillators | 4 |
| LFO | 1 Sample & Hold, Sine |
| Noise | Y |
| Engine Detailed | 4 VCO, Pink Noise, Pulse Variable, Saw Down, Saw Up, Sine, Square, Triangle, White Noise |
| Filter (VCF) | 2 24dB Slope (4-pole), Low Pass, Resonance |
| Envelope (VCA) | 1 x ADHD2, 1 x Transient Generator w/ 7 controls: Start Level (+ & -), Delay 1, Slope 1, Hold Level (+ & -), Hold Delay, Slope 2, and Final Level (+ & -). |
| FX | Reverb, Phase Shifter, Echo |
| Keys | 48 |
| Key type | Keys |
| Velocity | N |
| Aftertouch | N |
| CV-gate | CV/Gate in |
| Produced: | 1979 - 1979 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
