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L. L. Electronics | Rozzbox One |
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Description | The RozzBox V2 Poly Synth with tube filter is a 5-voice polyphonic synthesizer with digital oscillators, digital and analog filters on each voice, and one additional all tube filter. In addition to the the classic design of a 4-oscillator polysynth with analog filters, the RozzBox features some functions that can’t be found on any other synthesizer, such as the Hacker, the chaotic filter mode, and switchable aliasing of the oscillators. Features: 4 digital oscillators with standard and 16 additional waveforms – hard-sync possible Configurable FM engine with 7 algorithms Noise, external audio input, ring modulator 2 independent filters per voice Includes 3 self-resonant Filter-Types: - Digital high pass/low pass filter with resonance and 24dB/octave (4 filter poles) - Analog low pass ladder filter with resonance and 24dB/octave (4 filter poles) - Completely tube-driven analog low pass filter with resonance and 12B/octave (2 filter poles) 2 LFOs with standard waveforms and wave tracking, sync with MIDI 2 ADSR Envelopes with switchable lin/exp characteristics and trigger modes 4 completely independent sequencer lines per voice, each with its own running mode and synchronization settings Envelope follower with separate input Complex 4-point modulation matrix with 16 sources and 16 destinations Complex trigger matrix with unlimited connection count, for interconnection of LFOs, sequencers, envelope triggers, MIDI clock, The switchable “Hacker” adds artificial analog aliasing (tunable) Bit reduction / Sample rate reduction ‘Chaos’ mode of the digital filter Digital hard clipping Full MIDI control of every parameter |
| Brand | L. L. Electronics |
| Model | Rozzbox One |
| Device | Synth |
| Type | Desktop |
| Engine Type | Digital |
| Engine | VA, FM |
| Voices (max) | 5 |
| Multitimbral | 5 |
| Oscillators | 4 |
| LFO | 2 Sample & Hold, Saw Up, Square, Triangle |
| Noise | Y |
| Engine Detailed | VA: Pulse, Saw Up, Sine, Square, Triangle, White Noise. FM: 4-OP with 7 Algorithms, 2 user waveforms |
| Filter (VCF) | 2. 12dB Slope (2-pole), 24dB Slope (4-pole), High Pass, Low Pass, Resonance, Serial, Parallel. Filter 1: Digital high pass/low pass filter, Filter 2: Analog lowpass ladder filter, Filter 3: Tube-driven analog lowpass filter with resonance and 12B/octave (2 filter poles) |
| Envelope (VCA) | 2 Attack, Decay, Sustain, Release, Freerun, Polyphonic, Triggered |
| FX | “Hacker” adds artificial analog aliasing (tunable), Bit reduction |
| Memory | 200 |
| Sequencer | 4 independent Seqs per Voice |
| Keys | 0 |
| Key type | N/A |
| Velocity | N/A |
| Aftertouch | N/A |
| Audio | 1 stereo, 5 mono out. 1 in |
| Midi | I-O |
| CV-gate | Envelopefollower in |
| Produced: | 2008 - 2008 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
