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Kurzweil | PC1X |
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Description | Kurzweil introduced the first Performance Controller keyboard, the PC88, back in 1994, receiving both critical and public acclaim. The PC1X has a fully weighted 88-key piano action. With breathtaking sounds, superior effects and impressive controller capabilities. It's the Sound.... The end result is the famous Kurzweil sound, which has made the entire PC series a resounding success. The many samples are impressive; they have been tuned, looped, noise-reduced, and processed with a level of expertise and precision found nowhere else in the industry. These include the Triple-Strike Piano, countless drum and percussion kits, Take 6 vocals, and built-in Orchestral ROM expansion. For those looking for even more sound choices, Kurzweil's optional Classic Keys sound ROM expansion adds a world class set of stunningly realistic "vintage" sounds. It's the Effects... The final ingredient to the PC1X's sound is its effects processor, using the same technology found in our award winning KSP8 processor and K26 Series keyboards. Stated simply, the effects section in the PC series sounds better than most stand-alone effects processors. Reverbs decay noiselessly into complete silence. The many chorus, phaser and flanger presets are full and rich. Transparent compressors, authentic rotary speaker emulations, and realistic distortion presets are ideal for "vintage" sounds. And of course there are the effects algorithms unique to Kurzweil, like shapers and Laserverb. It's the Control... The PC1X offers comprehensive MIDI control, with multiple overlapping zones, inputs for dual switch and CC pedals, and a bank of assignable switches and knobs. Intelligent MIDI implementation, a full featured arpeggiator, and optional Super Ribbon controller make the PC1X an ideal controller whether you're on stage, in the studio or on your desktop. |
| Brand | Kurzweil |
| Model | PC1X |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | PCM |
| Voices (max) | 64 |
| Multitimbral | 16 |
| Oscillators | 2 |
| LFO | 2 Sample & Hold, Square, Triangle |
| Engine Detailed | PCM |
| Filter (VCF) | 2 12dB Slope (2-pole), High Pass, Low Pass, Resonance |
| Envelope (VCA) | 2 ASR |
| FX | Dual Processors (A & B) offering: 58 Reverbs, 6 Delays, 10 Choruses, 6 Flangers, 3 Phasors, 4 Shapers, 2 Enhancers, 8 Filtered Effects, 4 Distortions, 1 Mono>Stereo, 3 Wide Stereo, 4 Compressors, 2 Panners, 7 Rotarys, Stereo Tremolo, and 44 combination effects chains utilizing Kurzweil1s unique Laserverb |
| Memory | 384 ROM + 128 GM. User: 64 Patches, 128 multi |
| Arpeggiator | Full-featured MIDI note arpeggiator with multiple latch modes, selectable play order, velocity, duration, tempo, and sync functions. |
| Keys | 88 |
| Key type | Keys, Hammer action |
| Velocity | Y |
| Aftertouch | Channel |
| Midi | I-O-T |
| Produced: | 2005 - 2010 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
