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Kurzweil | K1200 |
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Description | The K1200 has a very sophisticated digital/wave synthesizer engine. K1200 patches start life as a digitally coded waveform that Kurzweil calls a Soundfile. A Soundfile can be a sampled waveform (coming from Kurzweil's famous samples like piano, string, wind, etc...) or a digitally produced waveform like sine, sawtooth, or square. Then, you put Soundfiles together into the layers of a program. Effects are part of each layer as well. The K1200 is a 88 key version of the K1000SE with software version 5, KXA and KXB ROM blocks and some more RAM. |
| Brand | Kurzweil |
| Model | K1200 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | Sample, Wave |
| Voices (max) | 24 |
| Multitimbral | 16 |
| Oscillators | 2 |
| LFO | 2 |
| Engine Detailed | Sample-based + Digital wave synthesis. Waveforms - Digital Sine, Saw, Square. |
| Envelope (VCA) | 2 ASR |
| FX | Vibrato, Tremolo, Leslie, Chorus, Echo |
| Memory | 162 preset, 64 user |
| Keys | 88 |
| Key type | Semi-weighted keys |
| Velocity | Y |
| Aftertouch | Channel |
| Midi | I-O-T |
| Produced: | 1989 - 1992 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
