Filter on ALL, SYNTH, DRUM, SAMPLER or MISC |
Total list currently 2405 items in 330 Brands |
Korg | i3 |
|
Description | At Summer NAMM 1993 Korg unveiled the i3 Interactive Music Workstation. Considered its most advanced instruments to date since it's first foray in 1985 with the SAS2-0 The 61 key i3 unit greatly improved arranging/songwriting time and workload. The i3 makes a great compositional tool by providing onboard built in styles and patterns for creating melodies and drum sequences using Korg's AI2 synthesis found in many of their synthesizer of the early 1990's. The unit also provided two built in sequencers. A 16 track standard MIDI sequencer with an additional 10 track sequencer called a "backing sequencer" which recorded the performance by the player and could be played back with all tweaking recorded. The instrument provided 32 voices with all 384 programs user editable which could be saved into 64 ram patches and 2 user drum instruments. An onboard DD floppy drive provided storage General MIDI (GM for short) was standard in most synths including the i3 and it could play back SMF files. |
| Brand | Korg |
| Model | i3 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | AI2 |
| Voices (max) | 32 |
| Multitimbral | 1 |
| Oscillators | 2 |
| LFO | 2 |
| Engine Detailed | ROM Sample Wavetable |
| Filter (VCF) | 2 VDF non resonant filters |
| Envelope (VCA) | 1 VDA digital envelopes |
| FX | 2 Multi effect processors |
| Memory | 384 ROM, 64 RAM |
| Drums | 2 user drums |
| Recording | 2 sequencers- 1 SMF GM compatible 16 track MIDI sequencer 1 backing sequencer 10 MIDI tracks |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Audio | 2x stereo out |
| Midi | I-O-T |
| Produced: | 1993 - 1995 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
