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Korg | Trinity (V1)
The Trinity was a major break-through synthesizer for Korg. It is a beautiful, state of the art and superb sounding music workstation which first appeared in 1995. Its most notable new feature to the synthesizer industry is the super-cool 320 x 240 TouchView Graphical User Interface....which is also the heart of the instrument! This workstation seamlessly combines excellent digital sounds, in-depth yet intuitive programming, real-time controllers, upward expandability and elegant design to create the perfect all-around synthesizer.
The Trinity's sounds come out of a 24MB ROM chip with 48kHz multi-samples of about 375 sounds and 258 drums. You can even add an expansion board of Prophecy sounds and Z1 sounds! There's a good digital multi-mode filter with hi/low/band pass, band reject, resonance and more. There's also 110 effects for adding life to your sounds...up to 8 simultaneous insert effects and 2 master effects.
The Trinity has an excellent on-board sequencer allowing it to be the center of your music studio...it's that good! And it's fun to use the touch-screen. It's a 16-track sequencer with an 80,000 note capacity, 100 patterns and 20 songs. With the 32 voices and plenty of drum sounds, you can use the Trinity as your all-in-one music studio! Great in the studio, or live there are plenty of real-time controllers including a Joystick, Ribbon controller and 2 assignable knobs and multiple sound outputs. Expandability includes a SCSI port, Internal Hard Disk Recording, 8Mb Flash Rom Playback-Sampler Option (which reads all Korg and Akai sound libraries), Digital ADAT I/O option and the SOLO-TRI Prophecy expansion board. Later the MOSS-TRI expansion as well.
The Trinity has a 61 key keyboard with velocity and aftertouch.
|Engine Detailed||ACCESS (Advanced Combined Control Synthesis System): 24 Mbyte PCM ROM, with 375 different PCM multi-samples and 258 drum samples;|
|Sampler||Optional Add-On: 8MB Sample Playback, reads Akai and Korg sample libraries.|
|Filter (VCF)||1 12dB Slope (2-pole), 24dB Slope (4-pole), Band Pass, Band Reject, High Pass, Low Pass, Resonance|
|Envelope (VCA)||2 Initional Level, Delay, Attack, Decay, Decay 2, Sustain, Sustain Level, Release|
|FX||Stereo digital multi-effect system - 2 master effects and 8 insert effects simultaneously. 14 effects algorithms for master effect and 100 effects algorithms for insert effect|
|Memory||256 programs/256 combinations for ACCESS, 64 programs for MOSS, additional 256 programs/256 combinations for ACCESS plus 64 programs for MOSS are available when PBS-TRI optional board is installed|
|Recording||20 songs, 1/192 resolutions, 80,000 notes, 16 tracks, reads and writes Standard MIDI File|
|Extra info||Expandability includes a SCSI port, Internal Hard Disk Recording, 8Mb Flash Rom Playback-Sampler Option (which reads all Korg and Akai sound libraries), Digital ADAT I/O option and the SOLO-TRI Prophecy expansion board.|
|Produced:||1995 - 1995|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|