Filter on ALL, SYNTH, DRUM, SAMPLER or MISC |
Total list currently 2405 items in 330 Brands |
Korg | T3 |
|
Description | 1989 Korg expanded the idea started with the M1 by releasing the T-series Musicworkstation with more sounds and adding the ability to load samples. T1: 88 weighted keys |
| Brand | Korg |
| Model | T3 |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | PCM, WT, Sample |
| Voices (max) | 16 |
| Multitimbral | 8 |
| Oscillators | 2 |
| LFO | 2 |
| Engine Detailed | 2 OSC, 8MB rom |
| Sampler | 1 MB RAM |
| Filter (VCF) | 1 non resonant VDF low pass filter |
| Envelope (VCA) | 1 VDA, 3 ADSR |
| FX | 2 multi-effects processors, 33 effects |
| Memory | 200 + 200 on Diskette |
| Recording | 50,000 event 8 track sequencer |
| Keys | 61 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Audio | 2 Stereo out |
| Midi | I-O-T |
| Produced: | 1989 - 1990 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
