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Korg | S3
|The Korg S3 rhythm workstation is not just another drum machine. but a total production workstation that incorporates many key components used by all MIDI systems: Korg Sonic Integrity (SI) sound sources featuring the latest in 16 bit PCM sound synthesis technology, two built-in digital effects and a sequencer that functions as a multitrack recorder.
This recorder may be synchronized with either a clock signal from other MIDI equipment or Society of Motion Picture and Television Engineers (SMPTE) timing signals from film and video equipment. PCM sound sources: The built-in sound sources use the Korg Sonic Integrity (Sl) sound synthesis system. which combines the latest in 16-bit PCM sampling technology with the same advanced editing capabilities found on samplers and synthesizers. These fully programmable sound sources may be played from a synthesizer, sequencer or other external MIDI device.
Multitrack recording: The built-in sequencer has a total of eight tracks: four for recording basic patterns and four for combining them into songs and adding real-time recording. Song tracks are normally paired with the corresponding pattern tracks, but changing these connections so that the pattern tracks use inter- nal sound sources and the song tracks use external ones permits full 8-track operation.
Multi-timbre sound module: Assigning different MIDI input channels to tracks 1 ~ 4 turns the 83 into a multi- timbre sound module capable of simultaneously sounding four different percussion kits.
|Engine Detailed||75 PCM samples|
|FX||2 independent digital stereo multieffectors|
|Drums||10 user kits|
|Sequencer||100 preset patterns|
|Recording||8 track. 4 for own patterns, 4 for external|
|Produced:||1991 - 1991|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|