Filter on ALL, SYNTH, DRUM, SAMPLER or MISC |
Total list currently 2405 items in 330 Brands |
Korg | S3 |
|
Description | The Korg S3 rhythm workstation is not just another drum machine. but a total production workstation that incorporates many key components used by all MIDI systems: Korg Sonic Integrity (SI) sound sources featuring the latest in 16 bit PCM sound synthesis technology, two built-in digital effects and a sequencer that functions as a multitrack recorder. This recorder may be synchronized with either a clock signal from other MIDI equipment or Society of Motion Picture and Television Engineers (SMPTE) timing signals from film and video equipment. PCM sound sources: The built-in sound sources use the Korg Sonic Integrity (Sl) sound synthesis system. which combines the latest in 16-bit PCM sampling technology with the same advanced editing capabilities found on samplers and synthesizers. These fully programmable sound sources may be played from a synthesizer, sequencer or other external MIDI device. Multitrack recording: The built-in sequencer has a total of eight tracks: four for recording basic patterns and four for combining them into songs and adding real-time recording. Song tracks are normally paired with the corresponding pattern tracks, but changing these connections so that the pattern tracks use inter- nal sound sources and the song tracks use external ones permits full 8-track operation. Multi-timbre sound module: Assigning different MIDI input channels to tracks 1 ~ 4 turns the 83 into a multi- timbre sound module capable of simultaneously sounding four different percussion kits. |
| Brand | Korg |
| Model | S3 |
| Device | Drum |
| Type | Desktop |
| Engine Type | Digital |
| Engine | PCM |
| Voices (max) | 12 |
| Multitimbral | 4 |
| Engine Detailed | 75 PCM samples |
| FX | 2 independent digital stereo multieffectors |
| Drums | 10 user kits |
| Sequencer | 100 preset patterns |
| Recording | 8 track. 4 for own patterns, 4 for external |
| Keys | 8 |
| Key type | Buttons |
| Velocity | N |
| Aftertouch | N |
| Midi | I-O-T |
| Produced: | 1991 - 1991 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
