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Korg | Prophecy |
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Description | Digital does analog! The Prophecy was among one of the first synthesizers to lead a revolution started in the mid-nineties by synthesizer makers to satisfy a growing segment of the market that was lusting after old-school vintage equipment in the pursuit of making electronica-style music, by providing a state-of-the-art retro synthesizer that could sound like a classic analog. The Prophecy Solo Synthesizer was unveiled in 1995, and was a purely monophonic solo/lead synthesizer. It employed DSP synthesis first developed for the Korg OASYS synthesizer, with algorithms for producing realistic analog timbres, VPM (Variable Phase Modulation) tones similar to FM synthesis, and physically modeled brass, reed, and plucked string instruments. At your finger tips were tons of real-time control over traditional analog editing parameters like filter cutoff and resonance, envelopes and the arpeggiator. It had a pitch wheel, a mod wheel, an expressive dual action ribbon wheel, six effects processors and more! |
| Brand | Korg |
| Model | Prophecy |
| Device | Synth |
| Type | Keys |
| Engine Type | Digital |
| Engine | VA,PM, MOSS |
| Voices (max) | 1 |
| Oscillators | 1 |
| LFO | 4 LFOs, 30 Waveforms, Real-Time Modulation, 0-60Hz |
| Engine Detailed | Physical Modeling. MOSS (Multi Oscillator Synthesis System). |
| Filter (VCF) | Voice Filter: Resonant Low/Hi/Band/Notch |
| Envelope (VCA) | 4 envelopes |
| FX | Distortion, Wah, Chorus/Flanger+ Delay, Reverb, and Dual Parametric EQ. |
| Memory | 128 patches |
| Arpeggiator | Arpeggiator: Programmable, Sends/Receives MIDI Clock |
| Keys | 37 |
| Key type | Keys |
| Velocity | Y |
| Aftertouch | Channel |
| Midi | I-O-T |
| Produced: | 1995 - 1995 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
