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Korg | MS-20 kit
|Build a real MS-20 with your own hands
Creating an instrument with your own hands is part of the true enjoyment of this analog synthesizer. The MS-20 Kit lets you obtain a real, full-sized MS-20 by assembling it yourself. It goes without saying that, just like the MS-20 mini released in January 2013, the engineers who developed the original MS-20 have overseen this project - ensuring that its historic sound is reproduced with complete fidelity.
In addition, the MS-20 Kit provides the filters from both the early and late versions of this classic instrument and it even allows you to switch between them. Today, 36 years after this historic instrument was first unveiled in 1978, the MS-20 returns to its true origin.
The MS-20 Kit is a kit that lets you obtain a real MS-20 by assembling the parts according to the directions in the owner's manual. Most of the steps are simply a matter of tightening screws or fitting parts together, so you don't need to know about soldering or electronic circuitry. Beyond any doubt, the analog sound generated by the MS-20 that you yourself completed will sound more valuable than that of any other synthesizer.
Unlike the MS-20 mini, the MS-20 Kit is a full-size unit with a standard-sized keyboard, and the plugs are also full sized 1/4" phone plugs.
The original MS-20 used different VCF circuits depending on the date of production. Units produced in the earlier period used a filter noted for its distinctive distortion and self-oscillation, while the filter used in later units was a low-noise design with a more mellow character.
Amazingly, this new MS-20 Kit provides both filters. You can switch between the two by moving a jumper pin on the circuit board according to your taste or needs.
Just like the MS-20 mini, development of the MS-20 Kit was led by the original engineers themselves, who spared no effort to perfectly replicate the circuitry of the original unit. When it was necessary to substitute a part, the engineers made the decision based on their own ears, ensuring that the exact sound of the original unit has been reproduced. In fact, the sound of the MS-20 kit has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged. The MS-20 kit reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay.
The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example, you can input an electric guitar and use the MS-20 kit as a guitar synthesizer, or input a mic and use it as a vocal synthesizer. The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that’s printed on the panel, even the beginner can start taking advantage of these possibilities right away.
The MS-20 kit provides a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. You can even connect the MS20 kit to your computer and play it from a sequencer. Although the power is supplied by an AC adapter, the voltage specifications used internally are the same design as the original unit.
Our efforts to remain faithful to the original are not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible. Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds. Now you can experience the excitement of the MS20, just like it was during its original release in 1978.
|Engine Type||Modular (Semi)|
|LFO||1 LFO: Positive Sawtooth - Triangle - Negative Sawtooth, Wide Pulse - Square - Narrow Pulse; Frequency (0.1Hz - 20Hz)|
|Engine Detailed||2 VCOs. VCO1: Scale (32', 16', 8', 4'); VCO2: Scale (16', 8', 4', 2') Waveforms - VCO1: Triangle, Sawtooth, PW-Square, White Noise; VCO2: Sawtooth, Square, Pulse, Ring modulator|
|Filter (VCF)||1 12dB Slope (2-pole), 24dB Slope (4-pole), High Pass, Low Pass, Resonance|
|Envelope (VCA)||EG1: Attack, Decay, Release; EG2: Attack, Decay, Sustain, Release, Hold|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|