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Korg | M500 Micro-Preset

Description

The Korg Micro Preset M500 synthesizer is a curious late 1970s beast with a slightly bizarre matrix of pre-set sounds, including laughable woodwind and similar noises and a low-quality keyboard all housed in a wooden box! It's a 32-note monophonic preset synthesizer with 6 push-button presets including voice, synth1, synth2, brass, string, and wood. Its single-oscillator design has only rudimentary decay/release envelope controls and no access to the guts of the sound generation stuff. Perhaps it was aimed at the beginners market.

Once you're over the outward appearance, a bit of probing will reveal a noise box that sounds remarkably similar to the MS-10 at times. There is a lot of fun to be had with the 'traveller' control, a sort of filter and resonance control rolled into one, offering interesting squelchy acid-style bass run effects. In fact, like the MS-10, bass is about all you'll get out of this oddity in terms of useful noises. But overall this is a bit of a novelty synth, and is not especially playable nor distinctive - apart from its looks! There are absolutely no MIDI, CV nor similar inputs so you can forget about any of that.

The Micro Preset was offered in two version that are exactly the same except one came with a built in speaker identidied by the SP on the end of the model number M500SP.

BrandKorg
ModelM500 Micro-Preset
DeviceSynth
TypeKeys
Engine TypeAnalog
EngineVCO Preset
Voices (max)1
Oscillators1
LFOVibrato with depth and speed
Engine Detailed6 Sounds: voice, synth1, synth2, brass, string, and wood
Filter (VCF)'Traveller' control - filter and resonance slider
Envelope (VCA)decay/release envelope
Keys32
Key typeKeys
VelocityNo
AftertouchNo
Produced:1977 - 1980
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

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