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Korg | ARP Odyssey Rev 1 |
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Description | The original ARP Odyssey was a 2 VCO duo-phonic instrument. Its most distinctive feature was its sharp, penetrating sound and its rich range of tonal variation. With a variety of functions and modulation possibilities provided by oscillator sync, sample & hold, pulse width modulation, high-pass filter, two types of envelope generator, and pitch bend using the PPC, it was able to create a versatile range of sounds. The ARP Odyssey reproduces the sounds of these components at the circuit level. Under the supervision of David Friend, parts were carefully selected and every detail was adjusted to replicate the original unit's distinctive synthesis. Broadly speaking, there were three versions of the original ARP Odyssey, divided by the date of production, with the major difference being the filter circuit. The ARP Odyssey provides all three of these different filter circuits, and allows you to select one of them with a single switch. Rev1 is a 12 dB/Oct circuit that produces a sharp, punchy sound. The ARP Odyssey has been downsized to 86% of the original ARP Odyssey. Carefully selected parts are used in the familiar slider section, providing an operating feel that's even smoother than the original. The keyboard uses a 37-note slim keyboard that features lighter weight and excellent playability. While making the instrument more compact and easier to use, we have also paid attention to ensuring that the mini-keyboard is uncompromisingly "playable." Although the keyboard has 37 keys, the transpose function lets it cover a broad range of seven octaves. New Drive switch In order to deliver a more powerful analog sound, a DRIVE switch is provided as a new function. Turning this switch on makes the VCA distort, generating a rough and raw sound. Added connectors such as MIDI and headphone output The connectors provided on the original ARP Odyssey differed by production date, but based on Rev3 of the original, the ARP Odyssey brings the specifications up to a modern standard. In addition to a MIDI IN connector and USB-MIDI port, we've added a headphone jack with adjustable volume (*). The XLR output jacks which had been unbalanced have been changed to noise-resistant balanced outputs. Patch cables included Quarter-inch and mini-size patch cables are included. If you connect a patch cable from the newly added headphone jack to the external audio input jack, you can produce a powerful sound by applying self-feedback. If you connect the GATE OUT jack to the TRIG IN jack, the EG won't be retriggered, allowing you to play legato. A dedicated semi-hard case that's ideal for storage and transportation is included. It sports the classical ARP logo, and has a sophisticated finish in a black tone. The corrugated shell structure ensures excellent impact resistance, and internal cushioning and pocket for small items is also provided. |
| Brand | Korg |
| Model | ARP Odyssey Rev 1 |
| Device | Synth |
| Type | Keys |
| Engine Type | Analog |
| Engine | VCO |
| Voices (max) | 2 |
| Multitimbral | 1 |
| Oscillators | 2 |
| LFO | 1 Sample & Hold, Sine |
| Noise | Y |
| Engine Detailed | 2 VCO, Pink Noise, Pulse, Pulse Variable, Saw Down, Saw Up, White Noise |
| Filter (VCF) | 1 switchable: 12dB Slope (2-pole), 24dB Slope (4-pole), Low Pass |
| Envelope (VCA) | 2 ADSR |
| Keys | 37 |
| Key type | Keys (slim) |
| Velocity | N |
| Aftertouch | N |
| Midi | I |
| CV-gate | CV/Gate/Trigger I-O |
| Produced: | 2015 |
| Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
| VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
| LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
| VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
| Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
| Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. | |||
