Description | |
Brand | Kawai |
Model | SX-240 |
Device | Synth |
Type | Keys |
Engine Type | Analog |
Engine | DCO |
Voices (max) | 8 |
Multitimbral | 2 |
Oscillators | 2 |
Sub | 1 |
LFO | 1 LFO with 3 waveforms: saw, square and tri. Speed, Delay, Reverse and Depth controls. Can modulate the DCOs, VCA, or VCF. |
Engine Detailed | 2 DCOs and 1 Sub-oscillator. Waveforms - Saw, Sine and Pulse with PW and PWM |
Filter (VCF) | 24 dB/oct four-pole Lowpass with resonance, cutoff, envelope amount and dedicated ADSR envelope generator |
Envelope (VCA) | 1 VCA with HPF and ADSR envelope |
FX | Chorus, Hold, Portamento and Glissando |
Memory | 48 Tone memories. Sequencer has 8 memories. |
Recording | 1,500 note max |
Keys | 61 |
Key type | Keys |
Velocity | No |
Aftertouch | No |
Produced: | 1984 - 1984 |
Legend: |
Obvious |
Y: Yes, N: No, N/A: Not Applicable |
VCO |
Voltage Controlled Oscillator |
DCO |
Digital Controlled Oscillator |
LFO |
Low Frequency Oscillator |
Sub |
Sub Oscillator |
VCF |
Voltage Controlled Filter |
VCA |
Voltage Controlled Amplifier |
Velocity |
As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. |
Aftertouch |
Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |