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FBT Electronica | Synther-2000

Description

The Synther-2000 (introduced in 1973) was the first attempt from the Italian company FBT Electronica S.P.A. (founded by Bruno Baldoni and Vincio Tanoni in 1963, and mainly dedicated to the production of amplifiers and mix consoles) to introduce itself into the emergent market of synths. Later on, and also without much success, the same company would introduce the Synther-4000.

The Synther-2000 is a monophonic synth equipped with three VCOs (each with square and saw-tooth waveform generation) and based on the substractive synthesis method. It has also two simple filter & envelope sections. The filtering section is composed of a single filter with cutoff, a level control for each oscillator, and keyboard control, whilst the envelope control allows three different setups: AD (Attack/Decay), A (single Attack) and an interesting continuous attack (a rudimentary arpeggiator). It is also equipped with a noise generator for oscillators 2 and 3.

The Synther-2000 keyboard has 37 keys, but does not have pitch bend and modulation wheels. Instead, it has a slider for the continuous control of oscillator-1 frequency. In this respect, it does remind one of a Theremin sound. The Synther-2000 also possesses a sweep control that is very similar to the classic portamento effect.

Due to the small number of units made and their limited distribution area, at present it is really difficult to find one of these small pieces of vintage synth.

BrandFBT Electronica
ModelSynther-2000
DeviceSynth
TypeKeys
Engine TypeAnalog
EngineVCO
Voices (max)1
Oscillators3
NoiseY
Engine Detailed3 VCOs (w/ sawtooth and square waveforms)
Filter (VCF)1 VCF, 3 Filters
Envelope (VCA)1 VCA
Keys37
Key typeKeys
VelocityNo
AftertouchNo
CV-gateCV
Produced:1973 - 1973
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.

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