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Ensoniq | Mirage DSK-1
In 1986 the DSK-1 appeared with a newer lighter plastic chassis, a relocated disk drive, an un-weighted keyboard action and the addition of stereo outputs. The DSK-1 is easily identified by the solid red stripe on the front panel.
The Mirage preceded the revolutionary EPS and EPS-16+ sampler workstations in the Ensoniq line-up; in fact, the Mirage was Ensoniq's first commercial product. Historically, the Mirage was also one of the earliest affordable sampler/sequencer workstations, originally listing under $1,700. Compared with the much more expensive Fairlight CMI and Synclavier samplers of the time, the Mirage was a bargain!
The Mirage was an 8-bit sampler capable of a maximum sampling-rate of 32kHz with a limited 128Kb of RAM. Those are pretty old-school specs by today's standards and while it does mean your sounds will be somewhat lo-fi, that does not mean low quality. A built-in 3.5 inch DD disk drive was used to load and store samples, sequences - even the operating system. Each disk could hold up to 6 samples and 8 sequences. The keyboard is split in to two independent halves for an upper sound and a lower sound - great for playing two instruments at a time. Unfortunately, sample editing is done via hexadecimal-code manipulation which is not a simple to concept to master. Most users will just load-in sounds from the Mirage's extensive sample library, or look for computer programs that can edit or convert Mirage samples.
While the Mirage's limited sampling specs, limited polyphony (8 voices) and limited sequencer (333 notes) may seem to knock it off anyone's list when looking for a keyboard sampler, the Mirage still has a few hidden goodies under its hood. Most notably, it has analog filters...a true, analog VCF with low-pass filtering and keyboard tracking. In addition to that it has five-stage envelopes for the VCA and VCF and a nice LFO.
Most people searching for a classic Ensoniq sampler/synth would probably first look towards the EPS and EPS-16+. After all, their specs, design and quality are superior. However, there is a certain amount of nostalgia concerned with the Mirage, particularly with its sample library which still stands the test of time.
|Sampler||8-bit, 32kHz (up to 6.5 seconds sample-time at 10kHz)|
|Filter (VCF)||Analog low pass filter with 5 stage envelope|
|Envelope (VCA)||5 stage digital envelope|
|Memory||16 internal patches, 128 kb sampler memory, 3.5 inch diskette|
|Recording||333 Note capacity|
|Produced:||1986 - 1988|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|