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Ensoniq | ASR-X Pro

Description

The ASR-X Pro Resampling Production Studio. An enhanced update to the ASR-X, the ASR-X Pro is a sampling, synthesizer, sequencer and effects studio in a single tabletop unit. For a machine that's competing with the Akai MPC3000, the ASR-X Pro is a worthy opponent. It's got professional sampler specifications, and easy yet professional sample editing features. Process your samples with modern edit functions including copying, truncating, reduce bits, scaling, normalizing and inverting. It has enough built-in effects to sweeten your samples with: EQ, Reverb, Chorus, Flanger, DDL, Distortion, Tunable Speaker, Chatter Box, Vocal Morph, and Auto-Wah. Sequencing is also easy and hands-on. Microscopic Tempo control and resolution allow for punchy groovy sequences with plenty of feel and note capacity. There are also independent dual multi-mode dynamic digital filters with low-pass, high-pass, variable bandwidth band-pass, resonant low-pass and resonant band-pass.

What separates the ASR-X Pro from the ASR-X? The Pro now offers a SCSI interface for limitless storage to disk or drive. A cool new Flash OS system means you can upgrade it simply by inserting a floppy, no messing with ROM chips! There's a new Stomper program that synthesizes phatt analog drum machine sounds (a built-in drum machine) - giving the MPC3000 a run for its groove. Memory can be expanded to a whopping 66MB for over 12 minutes (mono) sampling time. There is also a very cool Resampling technology that allows you to digitally resample sounds, loops or sequences with any effects and tweaks you've applied back into itself. Optional upgrades beside memory include the ESP-2 effects chip, EXP 24MB sound and wave expansion board and the X-8 eight output expander. The ASR-X Pro is compatible with virtually everything including most sound libraries and sampler libraries.

BrandEnsoniq
ModelASR-X Pro
DeviceSampler
TypeRack
Engine TypeDigital
EngineSample
Voices (max)32
Sampler44.1kHz; 20-bit A/D, 18-bit D/A, 16-bit Memory; Stereo or mono; Sample-time: 2MB standard (20.5 seconds max); expandable up to 66MB (13 minutes max)
Filter (VCF)low-pass, hi-pass and band-pass resonant filters
FXReal time modulation of effects parameters; 40 algorithms with many programmable variations per effect and 5 Stereo busses: Insert, Light Reverb, Medium Reverb, Wet Reverb, Dry
MemoryDisk: 1.4 MB Quad-density HD, 3.5" micro-floppy disk
Recording16 polyphonic tracks, Up to 128 Sequences, 384 PPQ clock resolution, Tap Tempo
Keys13
Key typePads
VelocityY
AftertouchNo
MidiI-O
Extra infoOptional upgrades beside memory include the ESP-2 effects chip, EXP 24MB sound and wave expansion board and the X-8 eight output expander.
Produced:1998 - 1998
Legend: Obvious Y: Yes, N: No, N/A: Not Applicable
VCO Voltage Controlled Oscillator DCO Digital Controlled Oscillator
LFO Low Frequency Oscillator Sub Sub Oscillator
VCF Voltage Controlled Filter VCA Voltage Controlled Amplifier
Velocity As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. Aftertouch Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.

Manuals, patches etc.

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