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Electro Harmonix | Micro-Synth |
Description | From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. The Electro-Harmonix XO Micro Synthesizer for guitar is a very powerful tool for musical expression. The Micro Synth can create some of the most popular synthesizer textures at a fraction of the cost for such capabilities. Its four voices: GUITAR, OCTAVE, SUB OCTAVE AND SQUARE WAVE are completely independent and fully mixable. The MICRO SYNTH can modify these signals with envelope control for a variety of “bowed” or “blown” sounds. In addition, a swept filter control allows highly variable frequency adjustments to be applied to the overall output signal. When combined, these controls offer the user a creative capability that is virtually limitless. There have been various versions of the Electro Harmonix Micro Synthesizer since it's initial release with different but similar front panels but they all retain the same characteristics and controls. There is some debate on which one has the fastest square wave but its generally agreed that the sound is over all the same. |
Brand | Electro Harmonix |
Model | Micro-Synth |
Device | Synth |
Type | Desktop |
Engine Type | Analog |
Engine | VCO |
Voices (max) | 1 |
Oscillators | 1 |
Sub | 1 |
Engine Detailed | 1 VCO, Square, Sub Oscillator |
Filter (VCF) | Resonance |
Envelope (VCA) | Delay, Attack |
Keys | 0 |
Key type | N/A |
Velocity | N/A |
Aftertouch | N/A |
CV-gate | Trigger In |
Produced: | 1979 - 1979 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |