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E-mu | Audity
Only one Audity ever came off the assembly line. At the time, it was a state of the art computer based analog synthesizer commissioned by ex-Tangerine Dreamer Peter Baumann in 1979. It came at a time when E-mu, like other synth manufacturers of the time, were making a move towards producing an instrument that was more compact and more advanced than the purely analog modular beasts they had been making. Under pressure from synths like Sequential's Prophet-5, E-mu set out to make a very powerful analog synth. The Audity was a 16-voice instrument with a massive amount of programmability and stability thanks to the computer based technology that controlled it.
Unfortunately the instrument was so expensive ($70,000) that nobody wanted to buy one. It was also a bear to program. E-mu wound up shelving it in order to start over with a new concept inspired by the Fairlight. This led to a sophisticated and much cheaper sampler - the Emulator 1. But the Audity had not been forgotten by E-mu. Much of the Audity's multi-timbral design went into the creation of the sample-playback Proteus synthesizers, which in turn paved way for the Audity 2000 sound module!
|Engine Detailed||2 SSM Chips with multi-waveforms, Noise Source per voice|
|Filter (VCF)||SSM Filter Chips: High-Pass Filter, Low-Pass Filter. Separate resonant Filter also available.|
|Envelope (VCA)||Envelopes gens for VCOss, VCFss, and VCA's|
|Memory||Multi Patch Storage|
|Extra info||Only 1 made|
|Produced:||1979 - 1979|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|