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Dave Smith Instruments (DSI) | Mono Evolver
The Mono Evolver was the highly anticipated performance-oriented keyboard version of the original Evolver table-top sound module. The voice architecture is identical to the Evolver, but it sports a 3-octave semi-weighted keyboard, pitch and mod wheels, a new built-in arpeggiator, and finally enough knobs and switches to put all the controls within easy reach.
Mono Evolver is an analog/digital hybrid synthesizer that incorporates many of Dave Smith and Sequential's old secrets, circuits and technologies. It's monophonic with four oscillators, two analog DCOs and two digital. The analog oscillators feature multiple classic waveforms plus pulse-width modulation and hard sync, and they sound really nice and big. The digital oscillators feature FM synthesis, Ring Modulation and 96 wavetables straight out of the Prophet VS (plus 32 user wavetables, loaded via MIDI software editors such as Motu Unisyn).
Mono Evolver also features two Curtis voltage-controlled analog low-pass filters which are fully resonant and switchable for two- or four-pole operation, two digital highpass filters and real analog VCAs. Modulation capabilities are handled by four LFOs and three ADSR envelope generators (for the filter, the amp, and one is user assignable). There are dedicated onboard effects (feedback, delay, distortion, glide, etc.). Stereo audio inputs let you process external audio through the Mono Evolver's filters, envelopes, LFOs and effects. The Evolver's ultra-cool MIDI-syncable 16-step, 4-parameter, analog-style sequencer (with each patch able to store its own sequence) is also on-board to really bring the Mono Evolver to life with animated evolving sounds. The LFOs, step sequencer, and three separate delays can all be synced for massive, rhythmic, time-based effects in stereo.
A major unique feature of the Mono Evolver is that although it is monophonic, it has a true stereo signal path. The reason many things come in multiples of two here is because each channel gets its own independent analog oscillator, lowpass filter, highpass filter, VCA and effects. It's sort of like two independent synths - one on the left and another on the right. This allows for pretty nice stereo imaging effects not possible with most other mono-monophonic synths. Some of the factory patches will make your jaw drop - sometimes it's really hard to believe it has only a single voice!
The original Evolver was a hit when it came out. There just were no other modern analog-digital synthesizers in its price range. It sounds wonderful, and was one of those synths that has no real need for external effects. But it was limited in its table-top form, with just 8 rotary knobs for hands-on control. Four years after the Evolver was released, Mono Evolver finally appeared to make the Evolver a true performance-oriented synthesizer, and without breaking the bank! For about the same price you could also get the Poly Evolver Rack which is basically 4 Evolvers in one tidy little polyphonic rack module. And then there's the flag-ship keyboard version - the Poly Evolver - twice as expensive but four times as big.
|Brand||Dave Smith Instruments (DSI)|
|LFO||4 LFOs each with sawtooth, triangle, ramp, pulse, and random waves. Each LFO can be routed to any destination in the matrix. Can sync to MIDI clock.|
|Engine Detailed||2 digitally controlled analog oscillators (DCOs) with selectable sawtooth, triangle, saw/triangle mix, and pulse waves (with pulse-width modulation), and hard sync; 2 digital wavetable oscillators with Prophet VS waves and wave sequencing capability, FM and ring modulation. White noise generator.|
|Filter (VCF)||2 Low-pass filters: 1 analog Curtis filter per channel, selectable 2- and 4-pole operation (self-resonating in 4-pole mode) and ADSR envelope generator. 2 digital 4-pole Highpass filters.|
|Envelope (VCA)||1 analog VCA per channel with ADSR envelope generator|
|FX||Digital delays: 3 separate, syncable, stereo delay lines. Dual (left and right channel) tunable feedback loops with "Grunge": use feedback as a pitched sound source. Distortion! Digital, one for each channel, can be placed before or after analog electronics; and "Output Hack." Separate Glide per oscillator.|
|Memory||512 fully editable programs (four banks of 128).|
|Sequencer||16 x 4 analog-style step sequencer that syncs to MIDI clock.|
|Arpeggiator||up, down, up/down, and assignable modes, and latched operation.|
|Controllers||2 expression pedals|
|CV-gate||2x CV In|
|Extra info||Poly Chain|
|Produced:||2006 - 2014|
|Legend:||Obvious||Y: Yes, N: No, N/A: Not Applicable|
|VCO||Voltage Controlled Oscillator||DCO||Digital Controlled Oscillator|
|LFO||Low Frequency Oscillator||Sub||Sub Oscillator|
|VCF||Voltage Controlled Filter||VCA||Voltage Controlled Amplifier|
|Velocity||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.||Aftertouch||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.|
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.|