A designated soft synth in a red case.
No doubt, computers have become a natural part of today’s music production. The process of editing sounds and sequences is so much easier from a computer screen. Still keyboard players have the need for portable instruments. Nord Modular G2 offers you the best of both worlds and provides an effective solution for the working musician. While remaining true to the traditional modular synthesis concept it manages to go where no modular synthesizer has ever gone before.
THE BEST OF TWO WORLDS
The G2 concept is based on a stand alone hardware keyboard with a freely configurable sound synthesis architecture and a software user interface (Editor) made for Mac OSX and PC. The sound engine in the G2 synthesizer runs on a group of digital signal processors (DSP’s), together with high resolution AD and DA converters. A G2 sound is named a Patch and is made with virtual modules and cables. Simply ‘drag & drop’ modules and cables directly on the computer screen to create your own G2 sounds. A Patch can be modeled after an existing synth or it can be the synthesizer of your dreams.
THE MODULAR CONCEPT
It doesn’t matter whether you’re an 80’s retro fanatic or a producer of the most recent club music. With the G2 you can develop sounds similar to those created by old analog patch synthesizers or simulate acoustic instruments. You can also push yourself into a world of sounds that no single instrument has ever delivered before. While sample players remain cold as ice, the G2 modular architecture offers warmth and presence to your sound. Moreover, the average G2 patch uses about 3(!) kilobytes of memory, which makes sharing over the Internet a piece of cake.To get the feel of how it works, consider the way a guitarist connects his boxes and pedals. You build the sound piece by piece on the computer screen in a simple and intuitive way following your desired signal flow. Many of the G2 modules were also found in traditional analog synthesizers. Among the selection are well-known building blocks such as oscillators, filters, sequencers and envelope generators as well as more complex modules like vocoders, pitch tracker and the mystic Bode shifter. You can also build your own unique FX processors and run both internal and external signals through them. Future upgrades will be available for free from www.clavia.se. Combine all this editing power with a logical, user-friendly knob panel and you have a flexible synthesizer.
THE NORD MODULAR G2 ENGINE
The G2 Engine is a one-unit high 19” rack version of the G2. Perfect for studios and computer studio environments. It has the same processing power as in the G2 three-octave version, but doesn’t feature top-panel control buttons, microphone- and pedal input. Connect the G2 Engine via the USB port to the PC/Mac and do all your editing from the intuitive and elegant PC/Mac editor. As the G2 three octave version, the G2 Engine is expandable with a voice expansion board.
|Model||Nord Modular G2 Engine|
|Engine Type||Digital, Modular|
|Engine||VA, PM, PD|
|LFO||Noise, Sample & Hold, Saw Up, Saw Down, Sine, Square, Triangle, Clocked, Key Sync|
|Engine Detailed||Pink Noise, Pulse, Pulse Variable, Saw Down, Saw Up, Sine, Square, Super Saw, Triangle|
|Filter (VCF)||6dB Slope, 12dB Slope (2-pole), 18dB Slope, 24dB Slope (4-pole), Band Limit, Band Pass, Comb, High Pass, Low Pass, Notch, Resonance, Serial|
|Envelope (VCA)||Attack, Decay, Sustain, Release, Rate 1, Level 1, Rate 2, Level 2, Rate 3, Level 3, Rate 4, Level 4, 8-step Casio, Freerun, Monophonic, Polyphonic, Triggered|
|FX||Reverb, Delay, Chorus, Phaser, Tremelo, Gate, Frequency Shift, More|
|Memory||1024 patches, 256 multipatches|
|Extra info||Need a PC to program|
Produced:||2004 - 2009
||Y: Yes, N: No, N/A: Not Applicable
||Voltage Controlled Oscillator
||Digital Controlled Oscillator
||Low Frequency Oscillator
||Voltage Controlled Filter
||Voltage Controlled Amplifier
||As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key.
||Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel.
|Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise.